When is it right to steal a baby? When you’re a Social Worker? When you’re a Police Officer?
Or when you’re the only real family he’s got left in the world?
It’s a crime to steal a baby but what if he is your brother? Fourteen year-old Casey thinks his family should be together, so when his mother dies he snatches his baby brother from foster care and goes on the run in search of his estranged dad, forcing his older brother, H, to join them.
The journey becomes an odyssey across contemporary Britain, with the band of brothers collecting other dispossessed characters along the way - a young soldier just back from Afghanistan who never knew his own parents but is determined to be a good dad to his newly born daughter, beautiful black Venetia on a mission to get payback from every cheating stepdad that ever crossed her path, best-friend-since-nursery Seema who is taking this crazy detour with Venetia before heading to uni and a stranded sheep rescued by Casey from certain death.
Casey thinks that if he finds his dad everything will be alright. The police and social services think that Casey is a criminal. H thinks Casey is off his head, but Casey just thinks they should be a family.
It's 1974 in the Midlands where power cuts, strikes and boot-boy aggro on football terraces are the norm. Joe McCain (Martin Compston: The Disappearance of Alice Creed) and best friend Russ Mountjoy (Alfie Allen: Atonement) are stuck in dead-end jobs and bored with lives going nowhere. That is until Joe meets Jane (Nichola Burley: Streetdance 3D), a brassy, blond hairdresser who introduces him to a whole new world of sound and movement and all-night dancing: the Wigan Casino, home of Northern Soul.
Mandy (Felicity Jones: The Tempest, Cemetery Junction), a cute, aspiring artist, is eager to help Joe become the cool 'soul boy' he wants to be. Mandy falls for Joe and a love triangle develops with Jane and Mandy, and Joe has to decide who he really wants in his life. Along the way, they all get swept up in the soul scene, testing each other and confronting darker sides of the scene and their own souls.
SoulBoy also stars Craig Parkinson (Control, Four Lions), Jo Hartley (This is England '86) and Irish superstar Pat Shortt (Garage) and features a soundtrack of all the era's anthems and a new cover of Magic Carpet Ride by soul sensation Gabriella Cilmi.
This film is a unique documentary event: with unrivalled access, it follows both sides in a political battle during a year long campaign which attracted worldwide headlines.
Labour MP Margaret Hodge, a Jewish immigrant, is defending the parliamentary seat of Barking in the British general election from a challenge by the leader of the right wing British National Party, Nick Griffin, who has a big following amongst disenchanted white working class voters.
With building tension, as violence erupts on the streets, the film shows the strategies of both parties and the eventual denouement on election night.
Described as 'remarkable' by the Observer newspaper, the film will be of particular interest in countries where there is a populist rightwing or racist party.
London, present day. A violent, desperate man breaks into an inner city church. With him he brings the anxiety and anger of contemporary society. Once inside the church he faces his greatest opponent, a world weary priest. The fighter challenges the priest on the fundamental fabric of life, faith and death, belief and passion. The scene is set, in the fight for truth, redemption and forgiveness as the two men come to terms with their various demons over the course of the night.
Set in rural and urban Britain, The Silent Accomplice is a story seen through the perspective of water that flows from a spring to the sea. This ever-present silent protagonist engages with people in often intimate moments in their lives, giving us an unusual and intimate snap shot of contemporary living. Episodic and peripatetic in construction, and poetically blending fiction and documentary, the narrative weaves its way in and out of specific people’s lives to reveal a Britain with hidden and unspoken disparities and aspirations.
Using simple and ritch visual and aural imagery, The Silent Accomplice embraces the notion of silence to drive a narrative that creates an unusual experiential journey. From the sublime to the mundane, the peaceful to the violent, we are presented with a view of contemporary British life not commonly seen.
Suffering from acute kidney failure, Uncle Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave - the birthplace of his first life.
From the Director of 'Syndromes And A Century', 'Tropical Malady' and 'Blissfully Yours'.
Based on true events, WHEN THE LIGHTS WENT OUT is the 70's set story of a down-to-earth Yorkshire family and the malevolent spirit who turns their existence upside down.
Mother and father struggle to keep the already-fragile family together under the ghost's onslaught, as sinister echo's from the distant past start to reveal it's true nature.
And as things worsen, it becomes apparent that the young daughter Sally is the main focus of it's attentions. All must come together to fight the evil spirit if she is to survive.
Suzy's a British soldier, born and bred, but fitting back into civilian life after fighting in Iraq isn't easy. Haunted by the responsibility she feels for the death of an Iraqi child, she becomes obsessed with the safety of her own daughter, feeling the need to protect her against a threat that doesn't seem to exist. As Suzy's paranoia builds, her behaviour becomes more and more erratic, until finally, she puts her own child in serious danger.
Victor is an African immigrant who, as a child, witnessed the slaughter of his family. He has now vanished into London, working as an anonymous street sweeper. But violence seeks him out once more and he realises that to regain his humanity he must become ‘visible’ again.
Laura is missing and journalist Sam Stagg falls in love with her through her photographs. His search leads him into dark waters. Beaten up, electrocuted and sacked, his troubles only make him more determined to find her, but when he finally tracks her down how she feel?
