Czech literature teacher Josef Tkaloun, who is past retirement age, realises one day that he no longer understands his pupils, and so he quits - dramatically. What he does not predict is that in doing this he will lose his sense of place in society. He finds himself isolated in his city flat with only his wife Eliska for company. Unsure how to deal with this new situation, Josef tries to find a way out. After a few vain attempts at finding a decent job he accepts a position at a refundable bottles counter in the local supermarket. In this seemingly inhospitable place, he solves what had been the root of his unhappiness. Surrounded by characterful people and at the centre of a city community, Josef finally finds his way back to his own wife.
Ellie (Sasha Jackson) struggles to become a dancer, despite the misgivings of her mother (Sally Reeve). She fantasises about Dance God (Brendan Cole) before meeting the down to earth Mark (Travis Oliver). With success as a belly dancer in her grasp, she must choose between her dreams and the people she loves.
A truly beautiful movie for dancers and dreamers alike.
It’s a morning like any other and a while a wife gets ready to go to work her husband organises a little surprise for her: her funeral. As the husband secretly plots with the undertaker on the phone and his wife in the background, he forgets one thing - the wife is always one step ahead of the husband.
Exodus re-imagines the second book of the Old Testament set in the near future.
Shot in the English seaside town of Margate, Exodus involved the participation of local people in key roles both on and off screen and as the many hundreds of extras. The film tells a compelling story of identity and migration and great movements of peoples in search of a Promised Land.
One day, one table in a coffee shop.
A host of top UK stars star in the gem of an anthology short. Sir Norman Wisdom, Geoffrey Hughes, Don Warrington, Vincent Franklin, Guy Henry and Finty Williams.
A mockumentary which traces the life of Scottish director Bob McArthur who worked in Hollywood until the early 1970s. His career as a director was effectively ended in 1974 when production of his South American film was halted by its producer. He returned to Scotland to research and develop a film project about Robert Louis Stevenson. Following in the author's footsteps, McArthur disappeared for years in the South Seas.
Now McArthur is being honoured in Scotland with a lifetime achievement award. As the award ceremony approaches, his story is uncovered through archive material and the memories and opinions of those who have known him.
Struggling writer Finkle is so hampered by his inability to create. He will go to any length in his search for inspiration.
His dream draws closer when a mysterious salesman sells him a suitcase full of ideas. On closer inspection it seems the 'Idea' is actually the living incarnation of the word in the form of a microscopic mite.
These mites ultimately guide him to a mysterious orifice which has appeared in his ceiling through which he must enter to end his torment.
Widowed Oxford professor goes to a Greek island to study ancient love spells with daughter for research, only to discover new love in the form of a Mermaid, whose inspiration allows him to complete his research in triumph.
Sex, Drugs, Music. That's life.
This film is a mixture of genres; thriller, horror, comedy, romance, drama, musical, surreal, fantasy, sci-fi, noir and everything else.
The film is essentially about reality, the perception of reality and repression. It's about a young man, John, trying to stave off the feelings of belonging and notions of madness. This narrative runs through the heart of the film whilst others intertwine with it. A serial killer, a futuristic agent, a psychologist, a lover, a friend and a transvestite all add to the confusion and mayhem that create this onslaught on the senses. Is his girlfriend real? Is his best friend real? What is real? And as John finds out:'You can't keep running!'
The habitual dreamer can't seem to discipher his dreams. Is the mysterious transvestite the key? All this and more awaits the viewer in this original and confused film.
But the final revelation might be too much for some. Or does it all fit? It's up to you.
Or is it?
Humi is seven, and things in her house have changed. Her grandmother, a force of nature, has died, leaving the once spirited house in mourning. Humi watches with curiousity as mourners, dressed in white, gather in their house to observe the forty day period of mourning. Meanwhile, her mother, Nazia, devastated by the loss, starts to fall apart. As Nazia turns her back on the world and Humi, she stands to lose all that she has left. And it's up to Humi to bring her mother back from the brink.
A poignant split-time comedy drama, Forward charts the tragic end and the hopeful beginnings of a young man's relationships.
A young woman, Emma, loses control of a bike in a quiet London street. A young man, Sam, an American alone and isolated in London, mourns the recent death of his girlfriend. Scenes of Sam's loneliness and isolation are intercut with happy scenes of him and Emma together. But these supposed flash backs are actually flash forwards, and we are seeing Sam's future, not his past. The film ends with Emma's bicycle crash again, but this time revealing it to be the moment that she and Sam meet.
