When Annie's husband dies of leukaemia, her best friend Chris comes up with a novel way to raise money for the hospital that cared for him. Why not produce a calendar featuring the two of them and fellow Women's Institute members in traditional WI poses - making jam, pressing flowers, knitting - but just to make it more interesting why not have them in the nude? News of the scheme spreads fast round their small village in the Yorkshire Dales and before long the women are hitting the headlines at home and abroad, an inspiration to millions of women around the world. But this sudden celebrity starts to take over their lives and, during a publicity trip to Hollywood, the friendship between Chris and Annie begins to crack.
Toyshop owner Harry Sankey (David Thewlis) leads a simple life in the quiet Northern town of Gigglewaite, but the sudden and tragic death of Nancy, his beloved wife and the idolised mother of his estranged son, Sam (Sean Ward) soon turns it all upside down. He then finds himself trying to cope, just as unsuccessfully, with the unusual role of quiz show contestant, believing it to be Nancy's last wish for him to participate in the popular but bizarre TV show 'Cheeky', hosted by the brilliant cheesy Alf Price (Johnny Vegas). Once persuaded, Harry reluctantly joins the crazy show and coincidentally meets another Nancy (Trudi Styler), his charming fellow contestant, who attempts to draw him out of his misery.
Sandy Kenyon (played by Steve Varden in his first feature role) is an aircraft enthusiast who dreams that one day he will be able to fly. But he has one problem, following his mother's dramatic death in a flying accident, he suffers from cerebral palsy, leaving him with serious mobility problems.
Most people Sandy meets find it hard to believe he will ever achieve his dream.
Sandy and his grandfather Victor (Sir Derek Jacobi) spend their spare time searching for aircraft wrecks. When Sandy learns that a mystery wreck is still missing in the Lake District, he decides that he will leave the safety of his care home and set out alone to try to find it.
Sandy's quest for independence is not a smooth ride. He faces suspicion and hostility as he begins his new life. But as his true potential is revealed, magical things happen. Lucy (Boo Pearce) breaks down her prejudices to become his lover, and a strange group of travellers help him in his quest.
Ultimately, Sandy achieves his dream, though not in the way he had planned!
A serial killer decides to go out in a blaze of terror attempting to kill as many people as he can in a large city before he is stopped. Around which are four inter-linking stories, also taking place in the City on the same summer's day.
From director Ian David Diaz and producer Julian Boote, who brought you the award-winning cult Brit-Flick, The Killing Zone (Grand Jury Prize, Best Feature, LA International Independent Film Festival 2000), Dead Room is by turns a dark, tense and sometimes bizarrely comic story of the various occupants of innocuously numbered Room No, 2. An otherwise ordinary flat in suburban London, owned by an untrustworthy Nigerian Landlord, No. 2 is a room born bad. You know the kind… bad karma on top of bad décor! It inevitably attracts all the wrong people, and something weird always happens there.
Giving examples of its four latest occupants - a gentle writer being driven to murder by a cruel prankster; an ill-prepared trio of women falling foul of a self-perpetuating chain of evil; a TV journalist following an alien-obsessed, barking mad assassin; and a homeless man's encounter with a crazed Stalker and her victim - the Landlord shows us just how macabre and downright odd the room's history really is.
Set in a bed-sitting London many will find all too familiar, Dead Room follows the grand tradition of Dead of Night, Creepshow, and Twilight Zone The Movie.
1917. The Western Front. A million or more Allied and German troops face each other across the shattered landscape of northern Europe. A world of mud, entangled by a wilderness of barbed wire, scarred by miles of trenches, soaked with the blood of the fallen, the air fetid with the suffocating stench of death and gas. Hundreds of thousands of young men are already buried in this terrible wasteland; hundreds of thousands more will die here before the slaughter ends.
It is here that one young man must face the truth about himself; that he is a coward, unable to face the coming horror of battle. Private Charlie Shakespeare is frozen with fear. Forced over the top at gunpoint he is hurled into the chaos of battle, witness to the decimation of his comrades; bodies shredded by machine-gun fire, others are blown apart by stray shells. He is alone, desperate to turn and flee. Then the poison gas drifts over the nightmare battle field and all he can do is fumble for his mask, press himself deeper into the mud and pray for dawn.
When the battle is over, Shakespeare and the handful of other survivors from Y-Company are utterly lost somewhere in enemy territory. Their only shelter is an abandoned German trench. It's a claustrophobic maze of blind corners and underground tunnels, overflowing with war dead and infested with rats. Here, exhausted and terrified, they seek refuge, waiting to be rescued.
But no one will come and as the night draws in, one by one, the young men of Y Company begin to die. An unseen enemy is stalking them, driving them insane with fear until they begin to turn on each other. Is their refuge possessed by something even more terrible than the war that surrounds them?
In this cursed, lonely place, Private Charlie Shakespeare must find the strength to overcome his own deepest fears if he is to survive.
One day top stylist Pim comes face to face with her past when Debbie walks into her salon and back into her memory. Pim's in turmoil as she remembers the summer day when they were ten and her then best friend rejected her. Pim's crime: her Asian hair was black, not blonde. Now Pim has Debbie's head in her hands. Pim has her chance for revenge.
Die Another Day starts with a spectacular Hovercraft chase through a deadly minefield in the demilitarised zone separating North and South Korea - and the action doesn't let up until the credits roll. From Hong Kong to Cuba to London, James Bond (Pierce Brosnan) circles the globe in his quest to unmask a traitor and prevent a war of catastrophic proportions. On his way he crosses paths with Jinx (Oscar®-winner Halle Berry) and Miranda Frost, women who will play vital roles in his adventure.
Hot on the trail of evil megalomaniac Gustav Graves (Toby Stephens) and his ruthless right-hand man Zao (Rick Yune), Bond travels to Iceland and into the villain's lair, a fantastic palace built entirely of ice, where he experiences firsthand the power of a new hi-tech weapon. Ultimately it all leads to an explosive confrontation - and unforgettable conclusion - back in Korea where it all started.
A squad of British soldiers is sent out on manoeuvres into the wilds of Scotland. But what should have been a routine military exercise turns into a waking nightmare for Sergeant Harry Wells and his men.
Stumbling into the encampment of Captain Richard Ryan, on a top secret mission for the Special Operations Division, they find him mortally injured and his crack unit torn to shreds. Stunned by the blood-soaked carnage they have witnessed, the shocked corps is taken by the mysterious Megan to a deserted farmhouse deep in the forest for refuge.
However, the farmhouse is the domain of a pack of hungry werewolves and they want to reclaim their woodland property as well as feast on the flesh of their trapped victims.
With no radio contact, limited ammunition and only each other to rely on, the frightened soldiers must fall back on their basic training if they are to fight the demonic monsters battering down the doors and smashing through the windows. Who will survive the terrifying threat? And what will be left of them if they do?
dot the i is a love triangle, a dark comedy with a twist. The story centres on three characters: Carmen, a fiery Spanish girl about to get married; Barnaby, her posh fiancé with dark ambitions; and Kit, a struggling actor who tears up their relationship.
Carmen meets Kit on her hen night - in a kiss arranged by the maitre d' at the restaurant, according to a French tradition. It's a very good kiss. Too good. It's chemical, passionate, and very dangerous.
So she runs.
Torn between her safe, secure fiancé and the chance at gut-wrenching passionate love, Carmen is in a state of indecision. She avoids her heart, and goes with her head - and marries Barnaby. Until she realises she's made a terrible mistake and runs from her wedding bed to Kit.
As the situation intensifies, Carmen embarks on a journey in which she'll be forced to learn that things are never quite what they seem. This twisted tale toys with illusion and reality, passion and artifice.
Fatigue is a fast-paced, dark, surreal action thriller set in a seedy underworld of guns and gangsters.
The story follows a small-time loser Mitchell Willow, a chronic alcoholic whose girlfriend, Rachel, has left him. In desperation, Mitchell takes a delivery job for local hard man Eddie Heaver. During his deliveries, curiosity gets the better of Willow and he opens one of Heaver's packages and to his horror discovers a severed thumb. He now realises it's time to get out, but there's one last delivery to make.
Heaver has ideas of his own, and plans to double-cross underworld figurehead Mr Wernside and set Mitchell up to take the fall. Mitchell and Eddie have to meet Wernside's psychotic right-hand man, Traven. The drop goes horribly wrong and descends into a fierce shoot-out. Mitchell ends up with a bag of diamonds, a gun and the mob hot on his heels. There's only one person he can turn to - Rachel. Can the two of them escape Wernside's heavies, keep the diamonds and start a new life together?
Two men become escorts. Their debts diminish. Their problems mount.
And their lives fall to pieces. Flyfishing combines the oldest profession in the world with time-honored truths of love - that it hurts, that there is someone for everyone and that no matter what the odds, true love conquers all. The result is the most unlikely of fairy tales. A romantic comedy without a trace of sentiment.
