Projects with status: Complete

Synopsis

A tricky traffic warden, a cheeky copper and a hen party packed with chicks. It can only spell trouble.

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A father and his daughter go to Denmark on their yearly holiday. A stranger turns up and the relationship changes...

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Eleven-year-old Nina copes with her father's temporary relationships by storing organic relics of his ex-girlfriends in jars.

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The story of an unlikely friendship incorporating Ganja-Shakespeare, true-blue music and assorted M.A.J.I.K. Odd meets order, but which is the oddest. And who is which?

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When Harry Enfield set out to transfer his comedy series from television to the big screen, he thought the best way to reach a wide audience would be via the characters of the two hopeless teenage boys played by himself and actress Kathy Burke: "Of our TV characters Kevin and Perry are the most international, encompassing a universal idea: 'I must get a shag or I'll be a virgin for life.'" Comedy director Ed Bye was recruited to direct, while Enfield wrote the script with long-time collaborator David Cummings. Sending Kevin and Perry to the teen holiday mecca of Ibiza seemed logical. "Ibiza represents a rite of passage for a lot of kids," says Bye. The Ibizan club scene provides a key plot strand in which Kevin and Perry pursue celebrity DJ Eye Ball Paul (Rhys Ifans) and attempt to become mixmasters. It also offers a good hook for a soundtrack album, with a mix of current Ibiza hits and specially-commissioned tunes put together with the help of real-life star DJ Judge Jules. But Ibiza was far from ideal for Burke when filming there at the end of the summer. She had to deal with the heat while wearing all the paraphernalia needed to transform her into a credible teenage boy. "I'm really suffering for my art on this one -- a lot more than I ever did on Nil By Mouth," jokes Burke. "I also discovered I don't suffer from penis envy. This jockstrap contraption with a block of wood was incredibly uncomfortable." Kevin & Perry Go Large has grossed some £10m in the UK since its release in April.

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Millie discovers that she was an unwanted baby and her mother wanted to have her aborted. The realisation triggers nightmares which drive Millie to the edge.

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South African-born Elaine Proctor's Kin was inspired by a community-based conservation scheme in the Koakoveld in Namibia. The story charts the emotional journey of Anna (Miranda Otto), who lives with her brother (Chris Chameleon) in the remote Namibian desert, working for wildlife conservation. When she falls for a black American traveller (Isaiah Washington), the conflict with her brother forces her to choose between the US and the home she loves. "It's a film about learning to love," says Proctor, whose previous films, Friends and On The Wire, have won her fans on the international festival circuit. Because filming in the Koakoveld was too impractical, Kin was shot south of Namibia's capital, Windhoek, on the edge of the desert, which provides a stunning background to the drama. Music was used to highlight the film's themes. "We wanted the beginning and end to be quite epic, to accentuate the massive continent of Africa and the very powerful forces of nature that we see throughout the film," says Proctor. "It's a very emotional film. The romance goes all wrong and through a sequence of images, we realise that it's not going to work." The film premiered at the Taormina Film Festival in July and festival dates so far confirmed include Mill Valley in October.

Synopsis

In King Hayle I the camera navigates around a statue of Emperor Haile Sellassie I, acting as a pivotal device to which spectators visually anchor themselves. King Hayle I is an attempt at repairing the umbilical cord between the praxis of art, life and spirituality . . .

Synopsis

Jerry and Gordy's teenage daydreams turn sour when the test of friendship and the ties that bind transform an innocent quest for freedom into a baptism by fire.

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London 1919, Dolly an aspiring singer, recently bereaved during the war, ventures out for the night to an illicit nightclub. In her quest to sing, Dolly is led into a murky world of drugs and deceit only to find the key to her dream to sing, was right under her nose . . .

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Birmingham is not exactly renowned as a movie location, but after Atom Egoyan recently put it on the map with Felicia's Journey comes another film set in the city. Justin Edgar and his co-writer Mike Dent both hail from the home of Spaghetti Junction, balti curries and the Bullring, so it was a natural choice as the backdrop for their teen comedy Large, which shot for six weeks on location in Birmingham. The pair had previously collaborated on a short, Larging It, which led to the feature. They teamed up with producer Alex Usborne, whose credits include The Acid House and Tales From A Hard City, and debut director Edgar recruited a young cast of British newcomers as well as studding the film with comic cameos from TV personalities Les Dennis, Morwenna Banks and Phil Cornwell. The film tells the story of young Jason Mousely, who on his 18th birthday is due to inherit a fortune from his late father, rock legend Barry 'Blaze' Mousely. The catch is that to collect his inheritance Jason must show himself to be the opposite of his departed dad - he has to be a responsible citizen with a steady job, a wholesome girlfriend and a respectful attitude to his stepmother. And he has just one day to prove it before he turns 18. Large is produced by Sheffield-based Picture Palace North for FilmFour and The Film Consortium. The title is one of the first from FilmFour Lab's 2000 production slate, with the Lab's Robin Gutch describing it as the ideal film to launch the slate. It is, he says, "an evil brew of bawdy wit and adrenaline-powered comedy, with interior design to die for".

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When Karen returns to her home town awaiting a transplant, the town's postmen's lives are changed irrevocably when a hospital pager is sent by registered post.