Projects with status: Complete

Synopsis

In 1984 the National Union of Mineworkers went on strike. The dispute lasted for over a year and was the most bitterly fought since the general strike of 1926, marking a turning point in the struggle between the government and the trade union movement. The Orgreave coking plant was the site of one of the miners' strike's most violent confrontations with the police. It began in a field near the plant and culminated in a cavalry charge through the village of Orgreave. Artist Jeremy Deller’s work 'The Battle of Orgreave', staged seventeen years later, was a spectacular re-enactment of what happened on that day. It was orchestrated by Howard Giles, a historical re-enactment expert and the former director of English Heritage’s event programme. More than 800 people participated in the re-enactment, many of them former miners, and a few former policemen, reliving the events from 1984 that they themselves took part in. Other participants were drawn from battle re-enactment societies across England. Jeremy Deller's reenactment of the 1984 clash between striking miners and police at Orgreave in South Yorkshire on 17 June 2001 was filmed by Mike Figgis for Artangel Media.

Synopsis

Harry Potter has learned to live with his bullying uncle Vernon, his callous aunt Petunia and the constant whining of his greedy, spoiled cousin Dudley. He's even learned to live with sleeping in the cupboard under the stairs. Harry's relatives have just as reluctantly learned to live with the unwelcome presence of their orphaned relation, a constant reminder of Petunia's 'wayward' sister and brother-in-law and their mysterious and untimely demise. Even the impending arrival of his 11th birthday offers no excitement for Harry - as usual, there's little chance of cards, presents or any kind of birthday treat. This year, however, is different. Based on the first of J.K. Rowling's popular children's novels about Harry Potter, telling the story of a boy who learns on his 11th birthday that he is the orphaned son of two powerful wizards and possesses unique magical powers of his own. Invited to attend Hogwarts School of Witchcraft and Wizardry, Harry embarks on the adventure of a lifetime. At Hogwarts, he finds the home and the family he has never had.

Synopsis

It’s a digital day out and the mall just got madder. Repeat to fade and trance away the heartache in a mirror world of mass production. I’m not a human being, I’m a number. Whitewashed? Absolutely. (Colour-) saturated? Sure. See you tomorrow.

Synopsis

Comic colour capers as we learn the tabloid tale of Bonaparte and his not so bony part. A sensual wash from Waterloo to auctioneers as his pickled portion goes under the hammer. History was never this persuasive. History was never this.

Synopsis

Appearances are all – or are they – in this jazz-inflected chamber piece (for maid and mistress) on the sensual solitude of women. Check into the Edward Hopper hotel and role reversal might be more than skin deep. For sure the distress is not just on the painted surface. Live action, action painting? Your choice, your dream, your isolation, your identity charade.

Synopsis

A tribute to the director’s Mother who has Rheumatoid Arthritis, this audio-visual essay on the preparation of samosas is a record of her skilled hands, in case they become affected. The film was inspired by the boxing sequences from 'Raging Bull' ©United Artists/MGM.

Synopsis

Caught is a dark comedy. Jay visits Rita's photographic studio seeking revenge on an abusive partner.

Synopsis

Kaleidoscopics brings together pornographic stills from the internet and bubbles at the edge of running water, putting both through the same digital processes. Eyes, faces and limbs surface and sink again in sequences of coloured tessellations, lead by a music soundtrack that overlays breathy sound with formal patterning.

Synopsis

An Edwardian gentleman is tormented by spirits who appear through holes in his sitting-room wall paper. The film was fully-funded by the London Production Fund 2001. 'G.M.' was inspired by the work of magician and film pioneer Georges Melies (1861-1938), whose most famous film - 'Le Voyage Dans La Lune' - was exactly one hundred years old in 2001.

Synopsis

An experiment in personal history. The footage was shot in the London docklands, and its trains and bridges prompt a meditation on nationality, identity and language, spoken in German with English subtitles. The speaker's first words, in German, are " I don't speak German".

Synopsis

Film was created via digital manipulation from four snapshots, evocative images from my childhood in the 1960s. Since the photos were taken I have lost both parents. The process of animation becomes a means for me to relive the past, a chance to resurrect it.

Synopsis

Camouflage explores the experience of the child growing up with a schizophrenic parent. Based on extensive research it compares a personal account with the experience of others, using interviews, drawings and animation, live action and digital composition.