Dakin, Cade, and Joel are three criminals who receive their next job. Instead of doing it, they argue over every detail, constantly arguing about their worth to the group while referring to past jobs.
The inspirational true story of Mercedes Gleitze, who in 1927 became the first British woman to swim the English Channel. VINDICATION SWIM depicts Mercedes’ upstream struggle in overcoming both the cold waters of the English Channel and the oppressive society of 1920s England. However, after a rival comes forward claiming to have accomplished the same feat, Mercedes is forced into battle to retain her record and her legacy.
Will, a frustrated animator, records a message to his mother. He explains “confessionally” that the film he was trying to make with his collaborator, Ainslie Henderson, failed. It was a film that they were making about her, after she contracted mouth cancer 5 years ago.
He explains the purpose of him talking to her now, in a candid way about it, might just be the final closure his Mum and family need. Why did he invent an imaginary cat called DOM who exists only on his computer and begins to get in the way? Needing to move on, the film they shot and animated will now explain what they were trying to do.
The film plays out from Will’s perspective today, a composition of thoughts, images and scenes - reflecting and editing together a letter to his mother. A self-reflective and self-referential film that blurs the lines between fiction and nonfiction. This video message or ‘letter’ to her is a device that guides the film’s narrative. As if being ‘live edited’ the film has a playful urgency, enabling the viewer to authentically experience the journey with Will and the other characters.
Shawn specialises in awkward sex scenes and awkward sex scenes only. When she receives a call from her former mentor, Fiona, Shawn is overjoyed at the opportunity to prove her skills and the worth of her style on set.
Official Selection PÖFF Shorts - Black Nights Film Festival 2022
This work imagines the female body as a part of nature, blurring the boundary between human body and landscape. It explores the subjectivity of the female-born body and its connection to the nature. Emphasising the idea that humans perceive nature through their bodies, the work suggests that true understanding comes through immersion and embodied experience.
A normal journey of a London bus driver transforms into a living nightmare as he finds himself in the middle of a terrorist stand-off between his panic consumed passengers. Lives hang in the balance as he tries to desperately negotiate his way out of the quagmire.
GAZZA is a deeply personal portrait of Paul Gascoigne, one football's most famous tragic heroes. It is also an insight into 20 years of modern British history as it charts the creation media's lust for celebrity gossip.
Told solely with contemporary archive, GAZZA gives a startling new perspective on the profoundly immoral and illegal lengths the tabloid press went to in order to gain access to Paul's private-life and manipulate it for their own gain.
Popstar Oliver Sim is the main guest of a talk-show that soon slides into a surreal journey of love, shame and blood. A three-part musical short.
Official Selection Cannes Film Festival 2022 - Critics' Week Special Screening (Short Film) - World premiere
Marko and Maja are moving flats in Sarajevo. Maja's depression turns Marko's struggle into poetry, and played on the radio, Marko's poems become the last bridge of communication between them.
Official Selection Cannes Film Festival 2022 - Critics' Week Short Film Competition - World premiere
Every day, a father and his son jump with a parachute from their vertiginous cold house, attached to a cliff, to go to the village on the ground, far away where they sell the ice they produce daily.
Official Selection Cannes Film Festival 2022 - Critics' Week Short Film Competition - World premiere
Academy Awards 2023 - Best Short Film (Animated) - Nomination
Alone in her apartment a woman, Elle, is waiting for a phone call from her ex-lover (Monsieur). Elle receives two wrong numbers before he calls. The couple discuss their past relationship, Elle blames herself for their problems, claiming, "Tout est ma faute.". Throughout their conversation they experience numerous telephone problems and finally their connection cuts out completely. When Elle calls Monsieur’s home phone she discovers that he is not there, she assumes he is at a restaurant. He calls her back, and Elle reveals that she has lied during their conversation; she took twelve sleeping pills in an attempted suicide, then called her friend Marthe, who arrived with a doctor to save her. Elle grows suspicious that Monsieur is with his new girlfriend, but he never admits his whereabouts. Elle reveals her obsession with the telephone, she has slept with it in her bed for the past two nights. Their connection fails once again, and Elle panics. Monsieur calls her back once more, and Elle informs him that she now has the telephone cord wrapped around her neck. Telling him she loves him over and over. She sinks into her bed and drops the receiver.
In a quest to change the future by understanding the past, to shine a light on self-knowledge, shared vulnerability, and kindness, a leap of faith is often required.
This dance film explores and shares that leap of faith, to tell a story through movement, to be vulnerable with no limits.