Edgar Wright (BABY DRIVER, HOT FUZZ) directs a loving, hilarious and career-spanning look at the brothers Mael, 50 years and 25 albums deep into a career that has seen them traverse more genres, audiences and career revivals than any artist could have endured alone.
Official Selection Sundance Film Festival 2021 - World Premiere
Set and filmed at the Royal Pavilion Brighton, this artist film is a postcolonial response to chinoiserie. Historical individuals from Taiwan, China and Britain question, fail to understand, argue and disagree with each other over the representation of Chineseness in chinoiserie in-situ.
This film focuses on raising awareness of the societal impacts of recreational drug use. There are consequences of recreational drug use upon individuals and communities, in particular the harm caused through issues such as human slavery, cuckooing and links to organised crime (the hidden stories behind the supply chain).
A documentary capturing portraits and voices of young people living in rural communities in the Yorkshire Dales and Cumbria, where personal identity and place are found to be closely intertwined.
James Bond has left active service. His peace is short-lived when Felix Leiter, an old friend from the CIA, turns up asking for help, leading Bond onto the trail of a mysterious villain armed with dangerous new technology.
Bibi is plagued by memories of the past, and her granddaughter Simran is starting to notice. In resolving to teach Simran how to make Cha, they are pulled into the past, to Bibi's memories of one fateful day in Delhi, 1984.
AN INTERMISSION is a portrait of contemporary Britain as seen through the eyes of a group of young people experiencing homelessness. For over a year and a half, they worked collaboratively with artist Edwin Mingard to make a film to express their views to the wider world.
Official Selection IDFA (International Documentary Festival Amsterdam) 2020
ART CLASS is a filmed performance lecture playing on, and exploring, the perennial tension between the two key words in its title, favouring wit over weaponizing and reflection over rhetoric but does not pull its punches when it comes to the real obstructions to working class creative progress.
Shot over one night in the loud, dimly lit printing press, this is the story of the men whose labour lies behind Sierra Leone's oldest daily newspaper.
