Luka is a 23 year old Portuguese-British art student. With just hours to go before his family join him for his graduation show, he feels it’s the perfect time to share something very personal with his grandmother, who helped raise him and with whom he has a very strong bond. During this afternoon, they share feelings and memories, but can each generation accept each other unconditionally...
The story of Don Letts, a first generation Black British cultural mover and shaker, filmmaker, musician and raconteur. The film frames Don’s story with the Enoch Powell Rivers of Blood speech in 1968 and the “hostile environment” immigration policy of 2018. That’s the backdrop and the context of Don’s life – trying to find a place in the world. So we cover his relationship with the nascent punk scene – how rastas and punks found a common bond, both outside the mainstream, and how he introduced dub reggae to the punks. How he became part of the inner circle of the Clash, and how Johnny Rotten took him to Jamaica. He then became a top promo director (London Calling, Chain Gang, Pass the Dutchie) and then he formed a band, Big Audio Dynamite, with his old friend Mick Jones and made music that incorporated dance, reggae, rap, film samples and rock n roll. On leaving BAD Letts became a feature director, won a Grammy for his documentary WESTWAY TO THE WORLD: THE STORY OF THE CLASH, and is now a leading cultural commentator.
A visual approximation surrounding the learning or relearning of sight through bionic implants. As we view diffuse abstracted visuals, based on real footage, the soundtrack reveals that we’re sharing the experience of someone in a fictional medical experiment.
When the Filmmaker is told his next film must be about crime, sex or celebrity to get funded, he takes matters into his own hands and begins shooting in his home with a cast of characters connected to his own life.
We first meet two English builders, employed to replace the garden fence, temporarily removing the barrier between the house and a Pakistani neighbour. This introduces the film’s central theme of hospitality which ultimately finds its expression when a homeless Slovakian man charms the Filmmaker’s Colombian cleaner to let him in and tests everyone's ideas of the expectations and boundaries between host and guests.
Official Selection Sheffield Doc/Fest 2020 - World Premiere
The Owl and the Pussycat set sail with their few precious possessions on a journey in which they learn nothing and lose everything except each other.
This 4 minute film by Mole Hill has been made using an innovative ‘waximation’ technique to mark the 150th anniversary of Edward Lear’s evergreen nonsense poem.
BAFTA Film Awards 2021 - Winner - Best British Short Animation
This hypnotic VR narrative unfolds around 5 characters, increasingly struggling to access their uploaded memories. Set in a breathtaking visual landscape, this dystopian future unravels slowly around you, leaving you challenged to re-think your own beliefs and actions. It’s an exploration of a possible future that says much about our present lives.
Imagine a world where there is no air left to breathe, no rivers to race a paper boat on and no parks to roam in. Environmental damage, job-automation, the breakdown of personal connections have led to a future where the best choice of survival is to upload your own memories into an automated AI cloud server and reconnect with loved ones in the vastness of the net.
Official Selection Sundance Film Festival 2021
Young activists in Oxford wage a trans-positive graffiti war after discovering TERF stickers dotted around the city.
Official Selection BFI Flare LGBTQ+ Festival 2021
