Margaret Powers, a middle aged, middle class doctor of pathology, seeks a path of vengeance when she captures and tortures the young man she believes murdered her son, but in a bid to extract a confession, that path to vengeance leads to tragedy and unearths deeply troubling truths. Margaret is helped by Zoe, a twentysomething recovering addict, who was once a lover of Margaret’s son, and has learned to survive on her instincts and wits.
Together Zoe and Margaret, who under ordinary circumstances would have nothing in common, kidnap Finn O’Neil, the son of an old school, local gangster. Finn, having managed to escape justice through his father’s influence, is held in a disused, derelict shipyard, a haven where junkies and prostitutes take their clients, patrolled by a pair of mismatched night watchmen. As Margaret’s plans and Zoe’s true motivation are slowly revealed, shocking facts emerge and the characters are drawn into a violent and horrifying conclusion.
Nicu, a homeless street kid, is adopted by the notorious 'Bruce Lee' and brought up in the subterranean tunnels of Bucharest. As he grows up, he begins to realise that this 'King of the Underworld' is maybe not the father that he needs.
Filmed over five years by photographer Joost Vandebrug, the film is a real life Oliver Twist story about growing up, and finding a family.
In a futuristic Los Angeles a nurse runs an underground hospital for the city's most sinister criminals. She discovers that one of her patients is actually there to assassinate another.
Filmmaker Sean McAllister return to his hometown of Hull as creative director of the opening ceremony of the City of Culture celebrations, where he reflects on the changes to a city hit by cuts in public spending and divided by Brexit. The film follows local resident Steve Arnott, a struggling warehouse worker by day and hip-hop performer by night, who harbours his own creative dream.
“Back home in Hull, where I began, I have been filming Steve and wondering whether he can, against the odds, unlock the opportunities to build a better life? Is social mobility possible in cities like Hull? What role does culture have to play in this? How long can he hold onto his dreams for?” (Sean McAllister)
Official Selection Sheffield Doc/Fest 2018 - Opening Night Film
Living in a modest shack in the Cuban countryside, 13-year-old Lili and her mother appear trapped in a meagre, suffocating existence by her domineering father, Eduardo. His sudden absence should represent a new freedom for the girl and her mother, but Lili is distraught, and we come to discover just how strong the influence of this monstrous man is over his family. In desperation at losing Eduardo, Lili carries out a ritual taught to her by a spiritualist to help bring him back, leading Lili to uncover a disturbing truth about her father’s disappearance.
A character drama set against the backdrop of Sunday League football, taking place entirely on one morning on London’s Hackney Marshes. An ensemble piece following a small number of characters as their stories play out on this one Sunday morning. Tensions build as secrets are exposed and emotions laid bare, the scene unfolds as the match moves towards its dramatic conclusion, where all the narratives collide.
Amá is the Navajo word for Mother. This powerful and shocking documentary from Lorna Tucker exposes the forced sterilisation of thousands of Native American women by the USA Government. Made alongside a group of incredible Native producers, consultants and the survivors themselves, Tucker travels across some of the loneliest parts of the USA meeting the brave survivors, doctors, politicians and whistle-blowers who have brought to light this horrifying scandal. Uncovering the grotesque abuses of power in modern American history.
The film’s release has encouraged women to come forward to share their stories of being subjected to the violence of forced sterilisation suggesting that this abuse continues to persist in the USA and around the world, posing the question: when will this suffering end?
Following eleven modern-day Jewish bikers on an epic journey from Tel-Aviv to Berlin, crossing nine European countries and 4,500km in twenty-four days. Their mission, to deliver the Maccabi torch to Hitler’s infamous 1936 Olympic stadium, for the opening ceremony of the 2015 European Maccabiah Games.
These riders follow in the tracks of the early 1930s’ bikers who set out from Tel Aviv to all corners of Europe. Their mission, to seek out athletes to compete in the first Maccabiah Games. En route, each country holds a chilling resonance for our motor-cycling Holocaust survivors, descendants of survivors and the grandson of a 1930’s Maccabiah Rider. Stories of defiance and survival are revealed, as well as those of horrifying tragedy.
The juxtaposition of the present and past is the underlying thread of this Biker-Flick meets Holocaust film mixing archival footage with the 2015 journey.
As resurgent populism and anti-Semitism once again rear their ugly heads, this film brings an important message through the voice of those who have been personally affected by one of the darkest pages in human history. This isn’t simply a “Jewish” story. It is the story of people overcoming the worst from fellow man to restate our common humanity.
Dr Lynda Boothroyd of the University of Durham is asked to take a deeper look at the cultural and scientific reason for growing a beard. Her interview is accompanied by a series of intimate portraits of those with beards and their stories.
A truncated woman thrusts awkwardly from a school-desk, motionless except for her spinning, shaking mouth. The novice must rehearse the lesson dictated by an unseen voice. She must sacrifice unbounded desire, press it into language, into discipline, into rule. Her body refuses the lesson but remains trapped by its rote.
Sexy, sexy food.
Sleazy and vain Toast tries to win back an ex-flame, the beautiful Egg, but the hideous Big Toast is now on the scene.
Official Selection BFI London Film Festival 2019 - Laugh Strand