In April 1980, armed gunmen stormed the Iranian Embassy in Princes Gate, London and took all inside hostage. Over the next six days a tense standoff took place, all the while a group of highly trained soldiers from Britain’s SAS (Special Air Service) prepared for an audacious spectacular raid the world had never seen the likes of.
Official Selection BFI London Film Festival 2017 - Thrill Strand
Summer 1997 in a small Scottish village, where each day seems like the last and nothing ever happens. A strange, cosmic event will disturb Julianne's monotonous daily life.
Starting life with nothing other than a need for speed, Sir Frank Williams created one of the world’s best known and loved Formula One racing teams, operating for 40 years and winning nine world championships in the process. But in 1986 a shocking accident left Frank battling to survive and wheelchair-bound for the rest of his life...
This documentary tells the story of Frank’s rise to fame and how his family battled to keep him alive and the team afloat after his tragic accident. Featuring heart-pounding racing footage, interviews with much-loved Formula One stars including Sir Jackie Stewart, Nigel Mansell and Damon Hill, and candid accounts of what really went on behind closed doors. An honest, authentic and incredibly revealing portrait of some of the most fascinating personalities in motor sports.
An experimental narrative film that paints a portrait of Japanese performance artist Ayumi Lanoire.
The film opens as a telephone call between the subject and Person X, which meanders and leads the audience through the various layers that make up her persona leading one to question whether she is, in fact, a myth or reality.
In a rural pub restaurant on a busy motorway, same-sex couple Brona and Alex await the arrival of a man named Karl.
Official Selection BFI London Film Festival 2017 - Journey Strand - World premiere
Jack loves a bargain. And sheds. When he buys cheap second-hand parts to build his dream shed, he and long-suffering wife Helen find they’ve got more than they bargained for: a killer shed with an appetite for blood.
A comedy horror about a man’s twisted love for his shed…
An electrifying journey through the performance, private and public worlds of pop cultural icon Grace Jones. Jones’ bold aesthetic echoes throughout as director Sophie Fiennes creates a powerful cinematic experience, contrasting musical sequences with intimate personal footage and reaching beyond her iconic mask.
The film includes unique performances of her iconic hits 'Slave To The Rhythm' and 'Pull Up To The Bumper' as well as more recent autobiographical tracks, 'Williams' Blood', 'This Is' and 'Hurricane'. These personal songs link to the film’s narrative that follows Grace on a holiday road trip across her native Jamaica where the story of her traumatic childhood are uncovered.
Her stage is the fixed point to which the film returns, with 'Love Is The Drug' acting like an aria, bringing the film to its final and most touching scenes, including an encounter with French photographer Jean Paul Goude, father of Jones’ son Paulo and creator of her iconic album covers.
This is a Grace we have not seen before, someone who reminds us of what it is to dare to be truly alive. In all her apparent contradictions, Grace Jones may appear an exception, but she is also a point of identification: she is the exception that proves the rule.
Official Selection Toronto International Film Festival 2017 - TIFF Docs - World premiere
A short essay film by artist animator, Jessica Ashman. Using animation and recorded interviews of eight other women of colour artists, the film explores navigating the visual art and animation world as a black face in a white space.
Documenting the daily rehearsals and technical experiments of the performance piece, 'Give Me the Key'. Filmed daily over thirty days for a future live art performance, Ginger sets up her experiments in-between caring for her mother who is never seen but is ever present in another room. The strain of filming every day whilst caring for a mother near the end of her life becomes too much. After a trip out to the pub and recovering from a dementia outburst, Ginger breaks down on camera and admits for the first time that she is her mother's full time carer and not the Hollywood creative she once was. What unfolds is the colliding of performance and the every day as the artist slowly loses her sense of self.
I Have Lost Myself is a powerful and disturbing statement on family relationships and responsibility.
