Mark is a returning soldier suffering from PTSD (post-traumatic stress disorder). With the help of a newly-qualified therapist, Tess, and her role-playing, we begin to understand Mark and the people in his life: his sister; a prostitute he is in love with; and the neighbour he is spying on.
An intergenerational film, focusing on Nina, a young Indian girl who’s working through all the outcomes she could face by telling her parents about her Black Jamaican boyfriend. She’s definitely made up her mind to do it today, tonight. Nothing is going to stop her this time. Nothing.
A New York insurance company sends in a team of high levels investigators to assess a claim related to the accidental death of six workers on an oil platform off the coast of Nigeria. As the investigation unfolds it becomes clear that the dead men were in fact taken hostage by terrorists and slaughtered. In normal circumstances the huge claim would just be refused. But these aren't normal circumstances; the insurance company has walked into a political and economic minefield. Denial would place them at odds with Nigeria and the rest of Africa. Multi-national companies working in the region would be severely punished. There could only be one solution: pay up. Keep silent and pretend. The chief investigator is left hopelessly compromised
A reinterpretation of Shakespeare's Othello; an exploration of Shakespeare's intentions when writing Othello, exploring the play's racial themes in a historical and contemporary setting and drawing wider parallels between immigration and blackness in the UK today.
Official Selection BFI London Film Festival 2017 - Create Strand
Wayward pop star turned film composer Sir Peter Pilger faces the challenge of his life: To deliver a Requiem for his former college St Jude’s in time for the Memorial Celebrations while facing down revelations about his past and living up to his new authority as High Master.
Freighted in to lead his struggling alma mater through the rising tides of university fees, student unrest and political correctness, he neglects his hypochondriac wife and ungovernable teenage kids to turn upside down the institution he is meant to rescue.
But it is not from his misspent youth as an undergraduate at St Jude’s and not from the modern student body that his biggest trial emerges, but from the kitchens, where a time bomb ticks amongst the migrant college staff in the dazzling cellist Anastasiya, who remembers more about him than he does.
His Requiem lays nothing to rest. Not his libido. Not even his conscience.
Margaret must convince her daughter Louise to take responsibility for the family after the death of her father, whilst the family endures the ritual of a family portrait.
A love story about Catarina who bumps in to her old flame Diogo at the airport. During a very awkward conversation, and constantly interrupted by airport security staff and procedures, Catarina and Diogo unravel a big misunderstanding.
Ben Wetherall has never had the motivation to trace his biological parents – but becoming a father has just changed all that.
As Ben tries to uncover his own past, he must also come to terms with his present, and find a way to make the most of the future.
The idea for the film originated from the eight objects that were traditionally given in England to welcome a new child into the world; Egg, Coal, Evergreen, Salt, Candle, Bread, Coin and Silver Ring. Each symbolic gift has been the theme of a public event, created by artist Clare Whistler, in collaboration with leading artists, musicians, poets and documented from 2005-2015 by established filmmakers.
'Gifts' is an interpretation of the eight events, directed by Nichola Bruce. The film brings together English traditions of ritual and landscape.
Financed by the gift economy movement and Arts Council England.
