After her young son is killed in a tragic accident, a woman learns of a ritual which will bring him back to say goodbye, but when she disobeys a sacred warning, she upsets the balance between life and death.
ALREADY DEAD is a short documentary about recovering zombies. Fifteen years after a zombie outbreak (ZE Day) Zombies live among us, working 9-5 jobs, holidaying in Barbados and living "life" to the fullest. But have we truly come to accept Zombies?
Inspired by the text The Metamorphosis by Franz Kafka, the films centres on a personal diary from a narrator, a European subject, who is describing how his human identity is gradually eroded, being transformed into something else, as a response to the suffering he is viewing.
"and we have killed him" is a visually experimental film, loosely based around "the parable of the man" in "thus spoke zarathustra" by friedrich nietzsche. this film is an exploration of the exploitation of god, and alina (tanya howard) is tired of listening to what others have told her to believe in.
DICKGIRL 3D(X) is the non-binary version of EVA v3.0, an avatar purchased online and appropriated by the artist. Through the experience of 'DICKGIRL 3D(X), the viewer becomes a post-human pleasure-seeker in an encounter with a submissive clay-like sculpture.
"Because she´s been alone for a long time and there´s no one else, she might as well live on the moon." This film piece is about existence, about being present and in the ´now´ of the moment which the film conveys as it seamlessly glides through various states of day and night.
A powerful business executive returns home to his family and their lavish lakehouse for the weekend. Within hours of his return a cataclysmic ‘event’ takes place out there in the landscape. The world beyond their garden is now deserted. The skies above them – threatening and toxic.
Two sets of hands attempt to spark a fire through increasingly sophisticated means. A double projection consisting of video and 16mm, artist filmmaker Lucy Parker's FIRE is a response to the performative work of British artist Annabel Nicolson.
Official Selection Toronto International Film Festival 2017 - Wavelengths
Amber and Nigel, seventeen-year-old daughter Liberty, and Amber’s father Michael, live in London. With Amber and Nigel both made redundant, they are no longer able to pay their mortgage. Facing repossession of their house, they decide to give everything up and go north to Scotland on a camping trip to contemplate their future. Liberty and Michael elect to stay behind until things take a turn for the worst, when Liberty sees her boyfriend with an other girl. She goes North with her Grandfather after all, only to discover her parents are living in a 'Green' New Age camp with ex hippies and oddball characters. Both parents get involved in the village anti wind farm campaign as a bid to fit in, whilst also placating the ex army New Age gang they encountered on the road. Liberty is unable to fit in with life at the camp in a tent. She ventures out to meet the locals in the village. Meanwhile grandfather has a heart attack and ends up in hospital. The family is broken and only Amber has the courage to put it together again. A film about loss and renewal.
