A Way of Life is a moving story of life's unfulfilled potential - an aesthetically and emotionally beautiful film which permits us to connect with the lives of children struggling to survive and to cling on to their dreams of a happy future.
With a magical, lyrical quality, juxtaposed with the harsh realities of life, poverty and growing up, the film tells the story of a teenage mother, struggling to bring up her small daughter, and her role in a devastating crime.
Set in a small community in South Wales, this dark but moving tale looks at the area that exists between black and white, good and evil, child and adult. It is the harshest of rites of passage stories, yet within it lies a most poignant story of teenage love and friendship.
Ultimately, it is a story of survival that becomes a story of murder - a story that will draw you in slowly, until you find yourself in a world of love, tenderness and hurt - a world which will challenge the way you look at life.
Beyond Recognition is the story of an affluent cosmetic surgeon, Jeffery Mills, and his dangerous encounters with an underworld organisation who want him to change the face of their leader Matzo.
With a maze of increasingly sinister tactics of persuasion, Matzo and his gang thrust Mills into an evil world, far removed from his own. Mills soon finds himself lost in a remote town in Italy, hunted by the FBI for murder - his life and career in ruins. Police conspiracies, poison, abduction, corruption and extreme confusion reign, with Mills desperately searching for answers and some way to claw his life back.
Will he succumb to the pressure? Should he trust the FBI agents who say they're there to help? Whose body is found in his car? And who's really pulling the strings. Mills is manipulated by powers beyond his control, beyond reason and beyond the law, culminating in a fast and frenetic conclusion, with an unexpected twist at the end.
An explosive psychological thriller set in upstate New York and the Italian Alps.
Trapped by unfinished homework on a Sunday afternoon, Kelly's bored and irritable. Sharing a bedroom with her elderly Grandmother is at the centre of Kelly's teenage discontent and the sleeping old woman is the target for her resentment.
In Bridget Jones: The Edge of Reason, we find Bridget (Renee Zellweger) where we left her - in the arms of gorgeous human rights lawyer Mark Darcy (Colin Firth). But what happens after the happy ending?
Based upon a series of true stories Cargo is the intense tale of four refugees escaping from Croatia to the UK in the back of a truck in the early 1990s. It was shot in only ten days in January 2003 at Pinewood Studios and emphasises that refugees, regardless of where they have come from or from what economic scenario they are escaping, are desperate people resorting to desperate measures.
The near future. While investigating the creation of fraudulent 'papelles' (a form of insurance cover, passport and visa rolled into one) at the sphinx insurance company in Shanghai, husband and father, William falls in love with chief suspect Maria. He does not report her. They spend the night together. William returns to his wife and son in Seattle. When one of Maria's clients dies while using fake papelles, William is sent back to Shanghai. Torn between his professional duty and his powerful love for Maria, William must decide whether to risk his career and marriage to be with her.
As the sun sets on a busy day in the Welsh capital, Nia and Meredydd return home to prop-up their relationship and cosy, metropolitan lifestyle with another evening of evasive conversation, each fearing a truth that may, in fact, set them both free and revive their once happy marriage.
Set over the course of a single day in June 1804, Beethoven arrives at the Viennese palace of his patron, Prince Lobokowitz, to hear his radical, new masterpiece, the 3rd Symphony for the first time.
With music by the acclaimed Orchestre Revolutionaire et Romantique, conducted by Sir John Eliot Gardiner, and starring Ian Hart.
Fakers is an off-beat, comedy crime caper set in the London art world. Nick Edwards (Matthew Rhys) owes £50,000 and has no way of paying-off wannabe crime lord Foster Wright (Art Malik). This is until he stumbles across a lost sketch by legendary Italian artist Antonio Fraccini. Problem is it's only worth £15,000. A plan is hatched; to forge the drawing and sell it to five Mayfair galleries within an hour before anyone cottons onto the fact that there's a scam going down.
Fakers is a high-spirited and overtly optimistiv romp through the territory of trust, love, ingenuity and the desperation involved in trying to survive.
