In a place where killers are celebrated as heroes, these filmmakers challenge unrepentant death-squad leaders to dramatize their role in genocide. The result is a surreal, cinematic journey, not only into the memories and imaginations of mass murderers, but also into a frighteningly banal regime of corruption and impunity (TIFF 2012).
Joyce Brand is 78 and she is a campaigner. From defacing buildings to chaining herself to chairs, Joyce is fearless in facing up to injustice she sees in the world, and wishes more of us were too.
Brody and his group of Mercenaries are hired to extract a heavily protected Guerilla leader from a guarded camp. Things are going according to plan until they are pinned down by a deadly accurate sniper.
Rock star-turned-horror maven Rob Zombie conjures up a nerve-wracking chiller involving Heidi (Sheri Moon Zombie), a radio station DJ, who receives a wooden box containing a record, "a gift from the Lords." Heidi listens and the bizarre sounds within the grooves immediately trigger flashbacks of Salem's violent past. Is Heidi going mad or are the Lords of Salem returning for revenge on modern day Salem? (TIFF 2012)
To a soundtrack of their unique ‘Russophone Bolsha Nova Folk n’Roll’, Sasha Ilyukevich and the Highly Skilled Migrants take you on a rollercoaster of comedic chaos and heartrending disaster as the self-(dis)organised tour of the former USSR goes from bad to worse. When Sasha eventually takes his wounded pride of musicians back to his childhood home in Belarus, the stage is set for an unexpectedly moving finale.
THE SEPARATION LINE exposes a British border shared by hundreds of civilians and members of the Armed Forces. Between 2007 and 2011 the small English market town of Wootton Bassett became the site for the British repatriation ceremonies and during an eighteen-month period between February 2010 and August 2011 all the repatriation ceremonies that passed through the town from 2010 to 2011, including the concluding ceremony in August 2011 were filmed. Filming alternative aspects and perspectives to that of documentaries and regular media coverage, the work shares an experience of the repatriations that has not been presented nationally or internationally.
Martin (deceased) is stuck in a dead-end job, welcoming the newly departed into the afterlife. All he dreams of is going 'Up There'. But his plans are thrown into disarray when he has to team up with the relentlessly chirpy Rash and together they lose a new arrival.
The mismatched pair give chase and end up in a remote seaside town populated by cocky teenagers, sinister old women and the enigmatic Liz, who has 'suicide written all over her'.
Can they stop bickering long enough to find the lost soul? Will Rash be reunited with his brother Chunky? And can Martin get back in time to finally get Up There ?
Up There is a killer comedy about life, death and irritating friends. It will make you laugh, cry and question who you saw the movie with.
In this David and Goliath tale for the 21st century, a group of proud Scottish homeowners take on Donald Trump, as he gets set to destroy one of Britain's last wilderness areas in order to build a luxury golf resort. We follow the local residents as they make their last stand in the face of security harassment, constant legal threats and the cutting off of their water and electricity supplies. Director Anthony Baxter himself becomes international news after being thrown in jail following an interview with Trump’s green keeper. Told entirely without narration, You've Been Trumped captures the cultural chasm between the glamorous, jet-setting and media savvy Donald Trump and a deeply rooted Scottish community. For the tycoon, the golf course is just another deal, with a possible billion dollar payoff. For the residents, it represents the destruction of a globally unique landscape that has been the backdrop for their lives.
Flying Blind is a passionate post-9/11 love story that confronts cultural, racial and sexual taboos. It tells the story of an impossible love: an older woman with a younger man, in a world where security is paramount and nothing is quite what it seems.
Frankie works for a major aerospace manufacturer, designing drones for the military. She’s at the top of her game and in total control of her life. When she meets Kahil, a French-Algerian student, much younger than her, she embarks on a passionate affair and for the first time in her life she utterly, thrillingly, loses control. One morning, when she arrives for work, she’s detained by security and told that Kahil is a person of interest to the security services. She discovers that she has unwittingly crossed a line from control and security, into a nightmare world of suspicion and accusation. She now realises how little she knows of this man. But her love for him proves stronger than her mistrust, and she tries to find a way to protect her lover. Finally she discovers to her cost that betrayal always comes from those closest to us.
Is it time to acknowledge that the problems we face today are inextricably linked to our global economic system? In Future for Sale filmmaker Maja Borg will investigate why a radical departure from our monetary-based economy might be the only way to save the environment and with it humankind.
But is such global change possible? Challenging her own disillusions, Maja adopts a more positive attitude; a futuristic vision of a better world, and embarks on a journey to find out. Discovering the potentials of an alternative economy she asks: How would we evolve if our society was motivated by something deeper than profit and...
Can we afford not to create a world without money?
