The Conundrum being, Do I live life my way or do I live life their way? The start of a new dawn finds David Yohannes Reeves asking himself this very question. It is a situation that requires some thought.
Day to day life often thrusts us into precarious positions; that is confrontations with unpleasant despicable people, encountering behaviour that is selfish or deliberately harmful. No matter how seemingly inconsequential and trivial this negative act is, it should be responded too. Surely? But then again, probably not. Is it really worth exacerbating this awkward and possibly stressful situation further that it might escalate into full-blown violence? Again, probably not. But never to act to correct what is wrong? Is that right too? This is the conundrum. The film is the statement.
Be concerned; be concerned by a man wearing fucking antlers.
The Daniel Project puts Bible prophecy under a journalistic microscope, discovering that many predictions appear to have already come to pass and some are happening now. So, what about the future?
5 years research, 2 filming and 1 big budget later, this is a major documentary on a fascinating subject.
Tired of looking for inspiration, Simon spends the day helping out at his grandfather's market stall where he finds it, through a common bond in poetry.
England, 1792. The opening of our film there exists two separate worlds in 18th century Britain - the world of freed slaves living in England, and mainstream society - each containing a small group of characters upon whom we focus the audiences' interest. Our drama consists in the collision of these two worlds that stand in direct opposition to each other.
In the latter half of the Twentieth Century a group of maniacs were assembled for the sole purpose of home video entertainment.
Brought together by a sinister consortium these maniacs are forced to battle each other with little to no regard for human safety. Like Gladiators they fought until only one remained. This is that story. This is The Maniac Project.
England, 1772. The opening of our film there exists two separate worlds in 18th century Britain: the world of freed slaves who settle in Georgian England, and the world of mainstream British society. Our drama consists in the marriage of these two worlds that stand in direct opposition to each other.
In one legendary week on Ben Nevis in 1960 Jimmy Marshall and Robin Smith climbed six first winter ascents on consecutive days, including the mini Alpine-route, Orion Face Direct. Exactly 50 years later Dave MacLeod and Andy Turner pay tribute to Smith and Marshall by setting out to repeat all the routes that were climbed in that famous week. This film tells the story of the original events and follows MacLeod and Turner as they discover exactly what an achievement it was.
The Savage Canvas is about a theatre director with big ideas who finds his radical new performance piece being undermined and ultimately taken from him by a self possessed precocious school girl.
1931, London. At the opening of our film there exists two separate worlds in 20th century London - the world of Jamaicans who settled before the First World War, and the world of mainstream society. Our story consists in the marriage of these two worlds that rarely come into contact with each other.
Our story begins with the introduction of Dr. Harold Moody and his wife, Olive Mabel Tranter, who are members of Camberwell Congregational Church. The world of Jamaican settlers now intrudes polite society after the First World War and the conflict within our story therefore begins.
Human Freedom: the need to secure it, the obligation to preserve it, the necessity to defend it and the resolution to die for it.
Set in 1795 in British ruled Jamaica, this is the story of two men who choose to fight against an oppressive regime for their freedom.
31st May 1508, Edinburgh Castle. King James lV of Scotland holds a jousting tournament in Edinburgh in honour of his African servant. It was called the Tournament of the African Lady.
