Beautiful People
Synopsis
Beautiful People unites its disaffected, troubled and eccentric characters in a panoramic portrait of London's melting pot of class and culture and infuses it with a dark comedy which has at its heart a profound understanding that if 'life changes just a little bit in your favour - it can be beautiful'.
Details
- Year
- 1999
- Type of project
- Features
- Running time
- 108 mins
- Format
- 35mm Kodak
- Director
-
Jasmin Dizdar
- Producer
- Ben Woolford
- Director of Photography
- Barry Ackroyd
- Principal cast
- Rosalind Ayres, Linda Bassett, Charlotte Coleman, Edin Dzandzanovic, Nicholas Farrell, Julian Firth
- Screen Writer
- Jasmin Dizdar
Categories
Production Status
Production Company
Tall Stories Ltd
Studio 40Clink St. Studios
1 Clink Street
London SE1 9DG
UK
T +44 (0)20 7357 8050
101233.2423@compuserve.com
Sales Company
Fortissimo Film Sales
Herenmarkt 10-21013-ED Amsterdam
T +00 31 20 627 3215
ffsales@globalxs.nl
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Chosen
Director: Jasmin Dizdar
Year: 2015
An unassuming young lawyer leads a fight against the Nazis near the end of the Second World War.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.