Chosen

Director: Jasmin Dizdar

Year: 1999

London, 13th October 1993. The day England are to play Holland in a critical World Cup qualifier. The Bosnian war is at its height, Sebrenica is besieged and the UN are preparing relief airdrops. A Serb (Dado Jehan) and a Croat (Faruk Pruti) meet on a London bus. Recognising each other as fellow refugees from the same village in Bosnia they immediately renew their contact by . . . attempting to beat each other to a pulp. Their subsequent manic chase through the streets of central London sets the scene for the electric comedy of Beautiful People. Jasmin Dizdar's extraordinary debut feature film tracks the interlinked and troubled lives of four British families whose encounters with refugees from the war in former Yugoslavia helps them to see the beauty that exists in their own lives. Beautiful People unites its disaffected, troubled and eccentric characters in a panoramic portrait of London's melting pot of class and culture and infuses it with a dark comedy which has at its heart a profound understanding that if 'life changes just a little bit in your favour - it can be beautiful'.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.