Calon Gaeth (Small Country)
Synopsis
A brilliant ensemble cast empowers this stylish European film shot in Welsh and English seen through the eyes of the women Josi loves.
Details
- Year
- 2007
- Type of project
- Features
- Running time
- 110 mins
- Format
- 35mm
- Director
-
Ashley Way
- Producer
- John Geraint Angharad Jones
- Co-Producer
- John Geraint Angharad Jones
- Editor
- Chris Lawrence
- Screenwriter
- Stan Barstow, Diana Griffiths
- Director of Photography
- Ray Orton
- Production Designer
- John Thompson
- Sound
- Rolant Jones and Dai Shell
- Composer
- Mark Thomas
- Principal cast
- Mark Lewis Jones, Rhian Morgan, Nia Roberts, Catrin Morgan, Tom Ellis, Gareth Bale
Categories
Production Status
Production Company
Green Bay Media - Talbot Studios
1 Talbot StreetCardiff CF11 9BW, Wales
UK
T +44 (0)29 2064 2378
Page updates
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See also
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Small Country - Calon Gaeth
Director: Ashley Way
Year: 2008
Spring 1914 - Tom Evans invites best friend Edward Turncliffe to leave his fiancée behind in Oxford and visit his parents' estate farm in Carmarthenshire. He little knows that his father Josi has left his mother Rachel and for Miriam the local teacher, who is pregnant with his child. His daughter, 18 year-old Catrin feels outraged and betrayed. But she finds her own passion for Edward. Emotions are laid bare as each searches for a way to unlock a captive heart in a rapidly changing world. A mixed language English and Welsh with subtitles.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.