Small Country - Calon Gaeth
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 108 mins
- Format
- 35mm, HiDef
- Director
-
Ashley Way
- Producer
- John Geraint, Angharad Jones
- Co-Producer
- John Geraint, Angharad Jones
- Editor
- Chris Lawrence
- Screenwriter
- Stan Barstow, Diana Griffiths
- Director of Photography
- Ray Orton
- Production Designer
- John Thompson
- Sound
- Rolant Jones, Dai Shell
- Composer
- Mark Thomas
- Principal cast
- Rhian Morgan, Nia Roberts, Catrin Morgan, Mark Lewis Jones, Tom Ellis, Richard Elfyn, Gaynor Morgan Rees
Categories
Production Status
Production Company
Green Bay Media
Talbot Studios1 Talbot Street
Cardiff
CF11 9BW
Wales
T + 44 (0)29 2064 2378
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See also
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Calon Gaeth (Small Country)
Director: Ashley Way
Year: 2007
Spring 1914. Tom Evans invites fellow Oxford student Edward to holiday on his parents farm in Wales. But his father Josi has left wife Rachel for the local teacher, Miriam who is pregnant with his child. His daughter Catrin feels outraged and betrayed. When she finds her own passion for Edward, family emotions are laid bare and each searches for a way to unlock a captive heart. A brilliant ensemble cast empowers this stylish European film shot in Welsh and English seen through the eyes of the women Josi loves.
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Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.