Cass
Synopsis
Details
- Year
- 2008
- Type of project
- Features
- Running time
- 100 mins
- Format
- Super 16mm
- Director
-
Jon S Baird 1st Feature
- Producer
- Will Clarke, Berry Van Zweiten, Jon S Baird, Pierre Weisbein
- Co-Producer
- Will Clarke, Berry Van Zweiten, Jon S Baird, Pierre Weisbein
- Editor
- Dave Moyes
- Screenwriter
- Jon S Baird
- Director of Photography
- Christopher Ross
- Production Designer
- Daniel Taylor
- Sound
- Gareth John
- Principal cast
- Nonso Anozie, Natalie Press, Tamer Hassan, Linda Bassett, Peter Wight, Leo Gregory, Gavin Brocker, Lorraine Stanley, Paul Kaye, Bronson Webb
Genre
Categories
Production Status
Production Company
Cass Films Ltd
10 Orange StreetLondon WC2H 7DQ
UK
Sales Company
Goldcrest Films International
65-66 Dean StreetLondon W1V 6PL
UK
T +44 (0)20 7437 8696
Page updates
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See also
You may also be interested in other relevant projects in the database.
It's a Casual Life
Director: Jon S Baird
Year: 2004
It's a Casual Life tells the story of Jimmy and his lifelong membership of the Saturday scene. Through a brutally honest monologue and series of dramatic and violent events, the film challenges the myths surrounding football hooliganism and explores Jimmy's past, passion and above all, motivation. Central to the story is Jimmy's love affair with the culture of football. We discover his resentment at the evolution of The Casual scene and the demise of everything it once stood for. Changes that ultimately arrive for Jimmy have long-lasting consequences.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.