It's a Casual Life

Director: Jon S Baird

Year: 2008

The incredible true story of how an orphaned Jamaican baby, adopted by an elderly white couple and brought up in an all white area of London, became one of the most feared and respected men in Britain. Cass grew up in a time before political correctness and was forced to endure racist bullying on a daily basis, until one day when the years of pent up anger came out in a violent burst. Cass found through violence the respect he never had and became addicted to the buzz of fighting. His way of life finally caught up with him when an attempted assassination on his life, saw him shot three times at point blank range. His inner strength somehow managed to keep him alive but he was left with a dilemma; whether to seek vengeance as the street had taught him, or renounce his violent past. This is the extraordinary story of his life.

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.