Deal
Synopsis
Details
- Year
- 2001
- Type of project
- Shorts
- Running time
- 11.50 mins
- Format
- 35mm, Optical, Kodak
- Director
-
Susanne Falkum Lovik
- Producer
- The London International Film School
- Executive Producer
- The London International Film School
- Editor
- Shazia Sardar
- Screenwriter
- Susanne Falkum Lovik
- Director of Photography
- Francois Methe
- Sound
- Teitur Dahl
- Composer
- Tim Greenwood
- Principal cast
- Sonja Vine (Sophie), Merlyn Agnew (Green Eyes), Domenique Lashley (Spike), Otto Gvasalia (The Rascal), Nathaniel Lashley (Junior)
Categories
Production Status
Production Company
The London International Film School
Contact: Chrissy Bright (Librarian)24 Shelton Street
London WC2H 9HP
UK
T +44 020 7836 9642 / Direct Line 020 7240 0161
Sales Company
The London International Film School
Contact: Chrissy Bright (Librarian)24 Shelton Street
London WC2H 9HP
UK
T +44 020 7836 9642 / Direct Line 020 7240 0161
Page updates
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See also
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Midnight Raid
Director: Susanne Falkum Lovik
Year: 2002
Based on a short story by Brady Udall. Jerry has lost everything he cares for. One night he turns up at a big house, accompanied by a pygmy goat, which it transpires, belongs to his past.
About an Intimate Matter
Director: Sandeep Kumar Paul
Year: 2026
Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere
Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.