Project Detail

Midnight Raid

Synopsis

Based on a short story by Brady Udall. Jerry has lost everything he cares for. One night he turns up at a big house, accompanied by a pygmy goat, which it transpires, belongs to his past.

Details

Year
2002
Type of project
Shorts
Running time
15 mins
Format
16mm Fuji
Director
Susanne Falkum Lovik
Producer
Yvonne Svendsen
Editor
Mike Johnson
Screenwriter
Susanne Falkum Lovik
Sound
Mike Johnson
Principal cast
Steve Nicolson, Andrea Hart, Nicklas Day, Jordan Russell

Categories

Production Status

Production Company

The London Film School

24 Shelton Street
London WC2H 9UB
UK

T 00 44 (0)20 7836 9642

c.bright@lfs.org.uk

Sales Company

The London Film School

24 Shelton Street
London WC2H 9UB
UK

T 00 44 (0)20 7836 9642

c.bright@lfs.org.uk

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Deal Deal

Director: Susanne Falkum Lovik

Year: 2001

A young woman loses her glove - and has to confront a gang of juvenile boys in order to get it back.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.