The Entertainment System is Down
Synopsis
Details
- Year
- 2027
- Type of project
- Features
- Director
-
Ruben Östlund
- Producer
- Erik Hemmendorff, Philippe Bober
- Co-Producer
- Philippe Bober, Per Damgaard Hansen
- Executive Producer
- Vladimir Zemtsov
- Director of Photography
- Fredrik Wenzel
- Production Designer
- Josefin Åsberg
- Principal cast
- Keanu Reeves, Kirsten Dunst, Daniel Bruhl, Samantha Morton, Nicolas Braun, Tobias Menzies, Vincent Lindon
Genre
Categories
Production Status
Production Company
Sweden, Germany, France, Denmark, Switzerland, Norway, UK, US co-production
A Coproduction Office (FR), Plattform Produktion (SE), Parisienne de Production (FR), Canal+ (FR), Cinema Inutile (US), Creative Europe Media (NL), Disney+ (US), Essential Filmproduktion GmbH (DE), Filmförderungsanstalt (FFA) (DE), Good Chaos (UK), Medienboard Berlin-Brandenburg (DE), production in co-production with BBC Film (UK), Film i Väst (SE), Sveriges Television SVT (SE), ZDF/Arte (DE), Arte France Cinéma (FR), SF Studios (SE), Eye Eye Pictures (NO), Paloma Productions (SE) in association with Bord Cadre Films (CH), Gold Rush Pictures (UK), Proton Cinema (HU), Sovereign Films (UK). Supported by Swedish Film Institute (SE), Norsk Filminstitutt (NFI) (NO), The Danish Film Institute Archive (DK)
Sales Company
Coproduction Office
24, Rue Lamartine75009 Paris
France
Page updates
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About an Intimate Matter
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Year: 2026
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.