Triangle of Sadness
Synopsis
Official Selection Cannes Film Festival 2022 - In Competition - World premiere
Details
- Year
- 2022
- Type of project
- Features
- Running time
- 142 min
- Director
-
Ruben Östlund
- Producer
- Erik Hemmendorff, Philippe Bober
- Co-Producer
- Marina Perales Marhuenda, Giorgos Karnavas, Konstantinos Kontovrakis, Per Damgaard, Julio Chavezmontes
- Executive Producer
- Micah Green, Daniel Steinman, Mike Goodridge
- Screenwriter
- Ruben Östlund
- Director of Photography
- Fredrik Wenzel
- Production Designer
- Josefin Åsberg
- Principal cast
- Charlbi Dean, Harris Dickinson, Woody Harrelson, Henrik Dorsin, Zlatko Buric, Iris Berben, Sunnyi Melles, Dolly De Leon, Vicky Berlin, Oliver Ford Davies
- Co-produced with
- 30WEST, ARTE, Arte France Cinéma, Bord Cadre Films, Film i Väst, Heretic, Imperative Entertainment, Piano, Sovereign Films (II), Sveriges Television (SVT), Swedish Film Institute
Genre
Categories
Production Status
Production Company
Sweden, France, UK, Germany, Turkey, Greece, US, Denmark, Switzerland, Mexico co-production
Produced by Plattform Produktion (SE), Coproduction Office (FR), Essential Filmproduktion GmbH (DE), Sveriges Television [SVT] (SE), ZDF/Arte (DE), Arte France Cinéma (FR), TRT (TR), Nordisk Film- & TV-Fond (DK), Danmarks Radio [DR] (DK)
With support from British Film Institute [BFI] (UK), in association with BBC Films (UK)BBC Films
BBC Broadcasting House7th Floor, Zone A
Portland Place
London W1A 1AA
Sales Company
Coproduction Office
24, Rue Lamartine75009 Paris
France
Page updates
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Clocks
Director: Yv Shells
Year: 2026
When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.