Project Detail

The Oblique

Synopsis

The music, Blues in B-flat by Volker Heyn, performed by cellist Anton Lukoszevieze, provides the framework for 'The Oblique'. The title comes from an instruction in the score: ‘oblique down stroke’. In this film branches of magnolia extend into the empty cavity of the cello, the space where sound resonates.

Details

Year
2018
Type of project
Shorts
Running time
10 mins
Format
Digital transfer from original 16mm
Director
Jayne Parker
Producer
Christopher Collins
Editor
Jayne Parker
Director of Photography
Belinda Parsons
Sound
Greg Bailey
Composer
Volker Heyn
Principal cast
Anton Lukoszevieze

Production Status

Production Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Thinking Twice Thinking Twice

Director: Jayne Parker

Year: 1999

Thinking Twice Features the pianist Katharina Wolpe playing music composed by her father Stefan Wolpe. Stefan Wolpe was born in Berlin in 1902 and died in New York in 1972. His work is renowned for its originality and rigour, its sense of space and surprise.

Face, boy, eclipse A Season in Secret

Director: Matthew Berka

Year: 2027

A SEASON IN SECRET brings together material both close at hand and far away. It is a meditation on things glimpsed at a distance and the limits of perception. What lies behind the screen is hidden and may only be hinted at through the language of visible images and sounds. The film takes some of its cues from the Japanese aesthetic concept of Yūgen, described in part by the 15th-century aesthetician Zeami Motokiyo: “...to stand upon the shore and gaze after a boat that disappears behind distant islands.”

Fevers Fevers

Director: James Richards

Year: 2026

Taking as his starting point - less by way of invocation than summoning - the text from Marguerite Duras’ 'Les Mains négatives' and Tony Conrad’s 'The Flicker', James Richards weaves together stirring fragments composed from 2022-2026, including repurposed material from friends and collaborators including Steve Reinke. The screen is filled with images and impressions, depicting a frantic yet melancholic quest for meaning between language, gesture, and sensation. Official Selection Toronto International Film Festival 2026 - World premiere