Project Detail

Thinking Twice

Synopsis

Thinking Twice Features the pianist Katharina Wolpe playing music composed by her father Stefan Wolpe. Stefan Wolpe was born in Berlin in 1902 and died in New York in 1972. His work is renowned for its originality and rigour, its sense of space and surprise.

Details

Year
1999
Type of project
Shorts
Running time
10 mins
Format
16mm
Director
Jayne Parker
Producer
Made with financial support from the Arts Council of England
Executive Producer
Made with financial support from the Arts Council of England
Director of Photography
Belinda Parsons
Principal cast
Katharina Wolpe
Film Stock
Kodak

Categories

Production Status

Production Company

Maya Vision 43 New Oxford Street, London WC1A 1BH Tel: 020 7836 1113 Fax: 020 7836 5169 Email: maya@mayavisn.demon.co.uk

Sales Company

as Production Company

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The Oblique The Oblique

Director: Jayne Parker

Year: 2018

The music, Blues in B-flat by Volker Heyn, performed by cellist Anton Lukoszevieze, provides the framework for 'The Oblique'. The title comes from an instruction in the score: ‘oblique down stroke’. In this film branches of magnolia extend into the empty cavity of the cello, the space where sound resonates.

 About an Intimate Matter About an Intimate Matter

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Denzel Baidoo as Marcus, forlorn at the dinner table. Clocks

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.