10 Lives
Synopsis
When he loses his ninth life, fate steps in to set him on a transformative journey.
Official Selection Sundance Film Festival 2024 - World premiere
Details
- Year
- 2024
- Type of film
- Features
- Running time
- 88 min
- Director
-
Christopher Jenkins
- Producer
- Guy Collins, Sean Feeney, Yann Zenou, Adrian Politowski, Martin Metz
- Screenwriter
- Christopher Jenkins, Karen Wengrod, Ken Cinnamon
- Principal cast
- Mo Gilligan, Simone Ashley, Sophie Okonedo, Dylan Llewellyn, Zayn Malik, Bill Nighy, Jeremy Swift
Genre
Categories
Production Status
Production Company
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Page updates
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See also
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Year: 2025
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The Big Bad Wolf
Director: Leo Wright
Year: 2024
After discovering the power of the humble brick, pigs forged ahead into the industrial revolution building houses, factories and shops to wolf-proof their lives. This is the story about a little piggie named Richmond who befriends a not-so-big bad wolf named Billy, much to the outrage of his father. Set in the Black Country, this film is about friendship, inclusivity and not judging a wolf by its cover. Official Selection BFI London Film Festival 2025
Border as interface
Director: Petra Szemán
Year: 2024
A moving image artwork exploring zones of momentary overlap between seemingly opposing elements. The "interface" concept here is fluid and multifaceted; an interface, whether in software, digital screens, or one’s language or body, is a site of entanglement and movement. How the interface manifests and the supposed borders it enacts are recalibrated with every connection that is made. It’s a place of transience with its own set of rules and oscillating perspectives that only make sense within the shifting internal logic of the borderlands. The work explores how these dynamic zones can reshape entrenched perspectives. It questions "where images end and bodies begin, where truth or the real might reside,"[*] and where the boundary between spectator and screen dissolves into “life.” Such interfaces function as special conduits to the virtual, positioning the body as a node of mediation in our techno-political landscape. They also reveal what is created or lost in cross-cultural interactions; miscalculations, strange pairings and redundancy live within the hybridity zones of Border and Interface. *From Deborah Levitt’s ‘The Animatic Apparatus’. Official Selection BFI London Film Festival 2025