Sarah Palin - You Betcha!
Synopsis
Details
- Year
- 2011
- Type of project
- Features
- Running time
- 90 mins
- Format
- HDCAM
- Director
-
Nick Broomfield, Joan Churchill
- Producer
- Nick Broomfield, Cassian Elwes, Marc Hoeferlin
- Executive Producer
- Gregory Unruh, Sophie Watts
- Editor
- Michael X. Flores
- Director of Photography
- Joan Churchill
- Sound
- Nick Broomfield, Joe Milner
- Composer
- Jamie Muhoberac
- Principal cast
- Sarah Palin, Nick Broomfield
Categories
Production Status
Production Company
Lafayette Films
PO Box 5048Santa Monica
CA 90409
USA
Gravity Films
Los AngelesCA
USA
Tel: +1 323 900 0200
Fax: +1 714 974 1741
Sales Company
ContentFilm International
19 Heddon StLondon
W1B 4BG
UK
Tel: +44 (0)20 7851 6500
Fax: +44 (0)20 7851 6506
Page updates
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See also
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Aileen: Life and Death of a Serial Killer
Director: Nick Broomfield, Joan Churchill
Year: 2004
Twelve years ago Nick Broomfield made a film Aileen Wuornos: The Selling of a Serial Killer. Aileen's lawyer, her born-again Christian mother and the Florida State police have all been involved in trying to sell her story - that of America's first female serial killer - to the highest bidder. Aileen herself, who was convicted of murdering seven men, ironically emerged with the most credit. Aileen and Nick Broomfield kept in contact, writing to each other occasionally. Then, in October 2002, Broomfield was subpoenaed to appear at Aileen's final State appeal prior to her execution. Extracts of Aileen Wournos: The Selling of a Serial Killer were shown in court and many of her childhood friends were also called as witnesses. Then, unexpectedly, Aileen changed her plea and announced she had killed the seven men in cold blood, not in self-defence as she had asserted previously and she wanted to die immediately. Jeb Bush, the State's governor, welcomed Aileen's decision and announced his intention to reunite Aileen with her maker as soon as possible. In a subsequent interview Aileen admits in an unguarded moment, when she thinks the camera is turned off, that she did kill in self defence but that she can no longer stand being on death row and has to die. The film portrays Aileen's childhood in Troy, Michigan, as one of terrible abuse and violence, which continued during her years on the road as a hitch-hiking prostitute and ultimately culminated in the murders. In her last interview, which Aileen grants to Nick Broomfield exclusively, she said she believed her mind was being controlled by radio waves and that she would be taken away by angels on a space ship. The film provides an insight into the mind of a deeply paranoid, yet seemingly sympathetic person, who lost her mind and killed seven people. Aileen: Life and Death of a Serial Killer is a powerful statement against the death penalty and raises disturbing questions about executing the mentally ill. Aileen Wuornos was executed in the State of Florida on October 9th, 2002.
Tracing Transcendental Tone
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Following a pilgrimage through the sacred sounds of India – a land of many faiths, including Vedanta, Islam and Buddhism. Using striking visual material accompanied by an evocative, multi-layered soundtrack, the audience is taken on a unique sonic journey through the sacred sound practices of many of the world’s key religions. A combination of interviews, performances, and natural sounds creates a rich, immersive cinematic experience. With an intimate, direct camera style, viewers can get close to the many spiritual practitioners, musicians, and meditation teachers who form the fabric of the journey. Bubbling hot springs, subtropical nocturnal symphonies of insects, and harsh, frozen mountain winds combine with mantra chanting, classical Hindustani music, and the dynamic temple sounds of drums and trumpets. This audiovisual tone poem invites you to experience heightened sensory awareness and the transformative, healing power of sound.
The Solway
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Year: 2026
Filmmaker Eamon Bourke lost his mother, Sue, when he was three and has no memory of her. When his father decides to sell the remote Lake District home where she died, Eamon returns with his camera to document the house and its clearing. Among Sue’s belongings - diaries, poems, photographs and tapes - he discovers a box of damaged cassette recordings. After painstakingly repairing them, he uncovers something extraordinary: his mother’s voice. Through these intimate audio diaries, Sue speaks candidly about motherhood, sings to her children, and captures fleeting family moments Eamon never knew. One final tape records her describing the onset of hepatitis, days before she fell into a coma and died in 1983. Another, more haunting still, features three-year-old Eamon calling out to his unconscious mother in hospital, in a desperate attempt to bring her back. As Eamon pieces together this archive, he confronts the enduring impact of early loss, speaking with his father and sisters while retracing the emotional landscape of his childhood. Set against the vast beauty of the Lake District, a deeply personal exploration of grief, memory and love - an attempt to recover what was lost, and to finally say goodbye.