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Director: Adam James Mawson

Year: 2019

ABDUCTION is a story of Kevin a broken man who lost his son Harvey 5 years ago under mysterious circumstances, along with 5 other children from the same area. Then more recently lost his loving wife Lindsey who had turn to alcohol after the disappearance of their only child. Lindsey had asked Harvey to get some wood from the log storage box from in the garden when he vanished and never forgave herself. Now 2019, Kevin hears a knock on the back door to his shock it's Harvey he looks exactly the same as the night he vanished wearing the same clothes. The other children also appear from where they were last seen and not one of them has any recollection of where they've been for the past 5 years. To him it seems like just a couple of minutes have past. Back in 2014 when the children disappeared a paedophile that had been rehabilitated into the village community without the locals knowledge but when they community finds out they start a witch hunt to find him. The police are under pressure from the local community arrest and charge him with the kidnapping and murders of all the children. Kevin along with the other parents is interviewed and recalls the events of the night Harvey vanished telling the reporter what his wife witnessed that night and to the day she died talked about bright blue lights in the nights sky which nobody believed. The children are returned to their families to try and rebuild their life's in the community of Baildon but strange things start to happen the children display special abilities people start vanishing without a trace.

Director: Jack Jeffreys

Year: 2026

Fish are nightly invaders of my sleep. Work consumes my dreams. Night gives way to another commute; adverts appear before me, their faces drawn tight. The day passes again, and at night, within the walls of my workplace, a fishmonger’s in London, dreams appear again, this time, a grief-stricken reverie, memories of my father. The film's title is inspired by Maurice Blanchot’s ‘The Book to Come’ which incited my exploration of whether images can capture anything sacred in a world of dispossession. A diaristic, psychogeographic journey through a city that metastasises uncontrollably before me, the film captures a form of alienation that supersedes and confounds the trajectory of grief. What is lost when all becomes gloss? Official Selection BFI London Film Festival 2026

Director: Wallace Minchong Li

Year: 2026

European archival footage from the 1950s documents the life of indigenous, nomadic Sahrawi children and youth in Western Sahara / Morocco. Seventy years later, local young people from Laayoune (El Aaiún) revisit locations that may have appeared in the footage. From ocean to desert to oasis, under trembling starlight, they share their thoughts on life, dreams, and utopia as they search for an uncertain upstream. Official Selection BFI London Film Festival 2026