13
Synopsis
Details
- Year
- 2019
- Type of project
- Shorts
- Running time
- 5 min 42 sec
- Format
- 28mm
- Director
-
Adam James Mawson
- Producer
- Adam James Mawson
- Co-Producer
- Adam James Mawson
- Executive Producer
- Adam James Mawson
- Editor
- Adam James Mawson
- Screenwriter
- Adam James Mawson
- Director of Photography
- Adam James Mawson
- Production Designer
- Adam James Mawson
- Sound
- Adam James Mawson
- Composer
- Adam James Mawson
Categories
Production Status
Production Company
Adam James Mawson
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See also
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Abduction
Director: Adam James Mawson
Year: 2019
ABDUCTION is a story of Kevin a broken man who lost his son Harvey 5 years ago under mysterious circumstances, along with 5 other children from the same area. Then more recently lost his loving wife Lindsey who had turn to alcohol after the disappearance of their only child. Lindsey had asked Harvey to get some wood from the log storage box from in the garden when he vanished and never forgave herself. Now 2019, Kevin hears a knock on the back door to his shock it's Harvey he looks exactly the same as the night he vanished wearing the same clothes. The other children also appear from where they were last seen and not one of them has any recollection of where they've been for the past 5 years. To him it seems like just a couple of minutes have past. Back in 2014 when the children disappeared a paedophile that had been rehabilitated into the village community without the locals knowledge but when they community finds out they start a witch hunt to find him. The police are under pressure from the local community arrest and charge him with the kidnapping and murders of all the children. Kevin along with the other parents is interviewed and recalls the events of the night Harvey vanished telling the reporter what his wife witnessed that night and to the day she died talked about bright blue lights in the nights sky which nobody believed. The children are returned to their families to try and rebuild their life's in the community of Baildon but strange things start to happen the children display special abilities people start vanishing without a trace.
Mystis
Director: Tatiana Collet Apraxine
Year: 2028
You awaken on a fog-shrouded shoreline and meet Echo, a strange child with a hole in their stomach. Together you cross a lantern festival where the veil between worlds is thinnest, sail into an ocean that opens beneath you, and descend through a portal into the Underworld. The Underworld moves through different facets of grief: a rave where silhouettes dance in slow motion, indifferent to Echo's attempts to reach them; a frozen sea where giant statues crack open to release a buried memory of a lost mother; a shadow theatre where an anger monster is unleashed, reducing everything to embers. From the embers, a boat carries you into a vast darkness, where Mother appears, and they are finally reunited. You sail together to the Tree of Life, a bioluminescent, cosmic jungle. Echo begs her to return to the World of the Living, but ancestors appear and surround you. She cannot come back - the journey was never about bringing her back. Echo, revealed to be your own child self, dissolves around you as the hole fills with light.
Lost Souls Swimming in A Fish Bowl
Director: Aneek Chaudhuri
Year: 2026
Lost Souls, Swimming in a Fish Bowl is a silent documentary about the invisible territories of depression, isolation, memory, and the fragile act of continuing to live. There are people who move through the world every day while feeling as though they exist behind glass. They work, walk, eat, sleep, smile, and disappear into crowds—yet remain suspended within an interior world that no one else can enter. The film observes these fractured states without explanation, diagnosis, or spoken testimony. Instead, silence becomes the language of the film. Through faces, bodies, empty rooms, urban landscapes, found footage, archival fragments, photographs, gestures, objects, and moments of stillness, Lost Souls, Swimming in a Fish Bowl enters the psychological geography of people who feel trapped inside themselves. The fish bowl becomes both metaphor and physical space: transparent enough to see the world outside, yet impossible to escape.