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Director: Adam James Mawson

Year: 2019

ABDUCTION is a story of Kevin a broken man who lost his son Harvey 5 years ago under mysterious circumstances, along with 5 other children from the same area. Then more recently lost his loving wife Lindsey who had turn to alcohol after the disappearance of their only child. Lindsey had asked Harvey to get some wood from the log storage box from in the garden when he vanished and never forgave herself. Now 2019, Kevin hears a knock on the back door to his shock it's Harvey he looks exactly the same as the night he vanished wearing the same clothes. The other children also appear from where they were last seen and not one of them has any recollection of where they've been for the past 5 years. To him it seems like just a couple of minutes have past. Back in 2014 when the children disappeared a paedophile that had been rehabilitated into the village community without the locals knowledge but when they community finds out they start a witch hunt to find him. The police are under pressure from the local community arrest and charge him with the kidnapping and murders of all the children. Kevin along with the other parents is interviewed and recalls the events of the night Harvey vanished telling the reporter what his wife witnessed that night and to the day she died talked about bright blue lights in the nights sky which nobody believed. The children are returned to their families to try and rebuild their life's in the community of Baildon but strange things start to happen the children display special abilities people start vanishing without a trace.

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.

Director: James Stephen Wright, George Finlay Ramsay

Year: 2020

Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.