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Director: Adam James Mawson

Year: 2019

ABDUCTION is a story of Kevin a broken man who lost his son Harvey 5 years ago under mysterious circumstances, along with 5 other children from the same area. Then more recently lost his loving wife Lindsey who had turn to alcohol after the disappearance of their only child. Lindsey had asked Harvey to get some wood from the log storage box from in the garden when he vanished and never forgave herself. Now 2019, Kevin hears a knock on the back door to his shock it's Harvey he looks exactly the same as the night he vanished wearing the same clothes. The other children also appear from where they were last seen and not one of them has any recollection of where they've been for the past 5 years. To him it seems like just a couple of minutes have past. Back in 2014 when the children disappeared a paedophile that had been rehabilitated into the village community without the locals knowledge but when they community finds out they start a witch hunt to find him. The police are under pressure from the local community arrest and charge him with the kidnapping and murders of all the children. Kevin along with the other parents is interviewed and recalls the events of the night Harvey vanished telling the reporter what his wife witnessed that night and to the day she died talked about bright blue lights in the nights sky which nobody believed. The children are returned to their families to try and rebuild their life's in the community of Baildon but strange things start to happen the children display special abilities people start vanishing without a trace.

Director: Karen Russo

Year: 2005

ECONOMY OF EXCESS is comprised of footage of the sewage pipes of Essex, shot by a small robot camera that is normally used to locate blockages. The film creates an entrancing movement into the ever-expanding circles of a subterranean parallel universe, which mutates into a hypnotizing voyage of impressionistic colour and light. Humble in its origins yet dazzling in its effects, this video epitomizes the way in which the work continually straddles the line between the sublime and the mundane, turning society’s excess into a spiritual initiation journey.

Director: Evan Ifekoya

Year: 2025

MODUPE is an experimental documentary that unfolds as a ceremony of queer belonging, inheritance, and sound. At its heart is a dialogue with Afro-Cuban priestess and musician Amelia Pedroso, whose legacy is invoked through archival traces, letters, and performance. Narrated as a letter to an ancestor, the film situates the search for connection within an interior, oceanic dreamscape where water, memory, and ritual become both setting and subject. Cinematically, MODUPE moves between a stylised ensemble rehearsal and a sacred library-archive. The ensemble of voice, drum, and dance provides the film’s pulse, collapsing rehearsal and ritual into one. Deep blue light, reflective surfaces, and submerged imagery create a sensorial architecture that is both intimate and expansive, with water presence throughout evoking both flood and transformation. Formally, the film resists linear storytelling, privileging atmosphere, rhythm, and sonic immersion. Objects, archives, and sacred materials hold the same cinematic weight as bodies in performance, reframing the archive as altar and sound as shrine. Narrative unfolds through resonance rather than resolution, drawing the viewer into a space of listening and reflection. MODUPE proposes cinema as a vessel for inheritance, where identity is fluid, memory is alive and liberation is lived through sound.