How to Re-establish a Vodka Empire

Director: Hannah Berryman

Year: 2024

A landmark feature documentary about astronaut Eileen Collins, the first woman to pilot and command the Space Shuttle. Eileen’s incredible journey starts with her smalltown beginnings, sees her smash through many glass ceilings, and culminates in four dramatic space shuttle missions, the last being possibly the most dangerous and most important of them all. At its heart the film is the moving human drama of one family, where a mother’s extraordinary career takes us straight to the big philosophical question of what is the level of acceptable risk in human endeavour? This film celebrates Commander Collins’ trailblazing NASA career which opened the way for women to become spacecraft pilots and commanders, and proved a perfect riposte to a previous generation of male astronauts who thought there was no place for women to lead the way in space. Official Selection DOC NYC 2024 - World premiere Official Selection CPH:DOX 2025 - European premiere

Director: Jeanie Finlay

Year: 2026

Fisherman Stan Rennie and his family have always fished the waters of North East England for centuries. This line to history stretched uninterrupted, until a devastating tidemark of poisoned crabs appeared one Autumn morning like a biblical plague, heralding an unprecedented poisoning of the river and the sea Unless Stan - and others like him - can find answers, he may be the last of his kind. Can an unlikely alliance between a raggle-taggle group of salty fishers, elderly seal conservationist Sue and her equally elderly dog Mandy, with marine biologists be the key to survival? A richly layered story about the value of home and what happens when it is undermined by corruption, betrayal, and environmental collapse. Told with wit, pathos and underdog tenacity by the coastal community whose own Brexit votes may have been the catalyst for disaster.

Director: Harry Lawson

Year: 2025

STEPNEY WESTERN is an experimental documentary made in collaboration with young inner city horse riders from Stepney Bank Stables in Byker, Newcastle. It is loosely centred on their Alternative Provision programme — a unique alternative for teenagers who struggle in mainstream education settings. Recasting Byker as the Wild West, this project sits at the porous boundary between fact and fiction, combining re-contextualised iPhone clips shot by the riders and archival material with Lawson's own footage.