Intruders
Synopsis
Details
- Year
- 2012
- Type of project
- Features
- Running time
- 93 mins
- Director
-
Juan Carlos Fresnadillo
- Producer
- Enrique López Lavigne, Belén Atienza, Mercedes Gamero
- Executive Producer
- Jesus de la Vega, Ricardo Garcia Arrojo
- Screenwriter
- Nicolás Casariego, Jaime Marques
- Director of Photography
- Enrique Chediak
- Production Designer
- Iñigo Navarro
- Composer
- Roque Baños
- Principal cast
- Clive Owen, Carice Van Houten, Daniel Brühl, Pilar López de Ayala
Categories
Production Status
Production Company
Antena 3 Films
Avd. Isla Graciosa 13Edif. Antena 3
Sebastian de los Reyes
Madrid 28700
Spain
Tel: +34 91 623 0500
Universal Pictures International
Prospect House80-110 New Oxford St
London
WC1A 1HB
UK
Tel: +44 (0)20 7079 6000
Fax: +44 (0)20 7079 6500
Sales Company
Universal Pictures International
100 Universal City PlazaUniversal City
CA 91608
USA
Tel: +1 818-777-1000
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
28 Weeks Later
Director: Juan Carlos Fresnadillo
Year: 2007
Six months after the rage virus has annhilated the British Isles, the US Army declares that the war against infection has been won, and that the reconstruction of the country can begin. In the first wave of returning refugees, a family is reunited - but one of them unwittingly carries a terrible secret. The virus is not yet dead, and this time, it is more dangerous than ever.
In my Beginning Is My End
Director: Ben O'Connor
Year: 2026
Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.
Yellow Bucket
Director: Simon Brooke
Year: 2025
Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.