Project Detail

23rd August 2008

Synopsis

23 August 2008 consists of two shots. A brief opening shot, intercut with inter-titles, of the famous Al-Mutanabbi Street book market in Baghdad is followed by an unbroken eighteen-minute monologue, shot from a single, still camera position and simply recording the speaker’s words without interruption. In it, Faysal Abudullah gradually builds a portrait of his relationship with his younger brother, Kamel, and in the process evokes the lives of Iraqi intellectuals of the left, driven into exile in the early 1980s by Saddam Hussein’s regime. Faysal describes Kamel’s decision to return to Iraq in 2003, his work for the new Ministry of Culture and his tragic death at the hands of unknown assassins on 23 August 2008. While the film throws light on little known aspects of Iraq’s political history, primarily it is the story of the two brothers, of Faysal’s devotion to Kamel and their contrasting attitudes to exile and to life itself.

Details

Year
2013
Type of project
Shorts
Running time
22 mins
Director
Laura Mulvey, Faysal Abdullah, Mark Lewis
Producer
Laura Mulvey, Faysal Abdullah, Mark Lewis

Categories

Production Status

Sales Company

Mark Lewis Studio

7-10 Occupation Road
London
SE17 3BE

Tel: + 44 (0)20 7277 1564

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

Shoot the People Shoot the People

Director: Andy Mundy-Castle

Year: 2025

Photographer and activist Misan Harriman, documents the global impact of protest movements, capturing the resilience of grassroots activists fighting for equality, civil rights, and social justice in the year he was nominated for an Oscar for his short film THE AFTER. A documentary capturing photographer and activist Misan Harriman’s journey documenting global protest movements that drive social change. Following Harriman as he highlights the resilience of grassroots activists fighting for equality, civil rights, and social justice, the film showcases the intersectionality of these movements and their collective power. With historical context, interviews with activists, and explorations of digital activism, the documentary reveals how Harriman's lens brings the world's activism to light, inspiring viewers to recognize their own power in shaping a more just society. Official Selection SXSW London Film Festival 2025 Official Selection DOC NYC 2025

Captured Souls: In Conversation with Graham Humphreys Captured Souls: In Conversation with Graham Humphreys

Director: Chris Collier

Year: 2025

Told in Graham Humphreys' own words and through a series of intimate conversations, this film explores the life and legacy of the UK's most iconic horror illustrator. From a childhood marked by a haunting Ladybird skeleton to the gouache-drenched goth era of EVIL DEAD and NIGHTMARE ON ELM STREET, Humphreys reflects on a career that has defined horror for generations. Featuring discussions with Reece Shearsmith, Andy Nyman, Madeline Smith, Alan Jones, and more, the film charts a vivid timeline through banned video sleeves, goth clubs, iconic posters, and the rediscovery of a lost original.

Elegy for the Lost Elegy for the Lost

Director: William Hong-xiao Wei

Year: 2025

Through the psychoanalytic and introspective voiceover of a young post-pandemic Chinese migrant in Europe, the film interweaves her private memories of intimacy with public narratives of resistance. As her reflections unfold, she and her community navigate secrecy, repression, survival, looming precarity, and displacement, all while confronting the personal cost of existing in a world that demands their silence.