24 Lines
Synopsis
Yet now she’s arrived, he can barely look at her.
A story of love lost, found, returned and burned.
A 75 minute piece of Artist Cinema.
Details
- Year
- 2011
- Type of film
- Features
- Running time
- 75 mins
- Format
- HD
- Director
-
Jake Astbury, Helena Astbury
- Producer
- The Astburys
- Executive Producer
- Omar Shaker
- Editor
- Helena Astbury
- Screenwriter
- Jake Astbury, Helena Astbury
- Director of Photography
- Jake Astbury
- Composer
- Mirko Uhlig, Bebe Fang, Viva L'American Death Ray Music
- Principal cast
- Juliet Lundholm, Al Smith, James Tweedy, Omar Shaker
- Make-up Artist
- Catt Baum
- Costume Consultant
- Clare Amos
- Lighting & Camera Assistant
- Natalie Lindwe Jones
- Casting Assistant
- Gemma Waring
- Production Photography
- Omar Shaker
- Sound Editing
- Sarah Corke
Categories
Production Status
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
No Women No Children
Director: Akporé Uzoh
Year: 2025
The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.
Test Record for Edit Access
Director: Test Record for Edit Access
Year: 2025
Test Record for Edit Access. Test Record for Edit Access. Test Record for Edit Access
Works for: Stella
Director: Konadu Gyamfi
Year: 2023
Konadu Yiadom Gyamfi takes a poetry-led journey through Ghana and the experience of female welder Stella A true story captured through poetry, director and poet Konadu Yiadom Gyamfi follows the journey of Stella, a female welder from Uganda. Shot in Ghana, the film showcases the profound impact of faith in guiding her towards success in a world that often challenges her path as a woman. “There are so many diverse and captivating stories to be explored within this beautiful and complex continent but we don’t often hear the stories of women from their own mouths. Platforming stories like Stella’s is how we start moving forward in portraying Africa and its people.” Defying expectations through her resilience and passionate dedication to her craft, Stella transcended early challenges she faced by entering into a program for young women, now a working welder in spite of societal beliefs regarding women’s roles. Evolving over several months of close collaboration between Stella and Gyamfi, the film illustrates Stella's life and the local landscape through insightful conversations tracing her path into welding, lensing a remarkable reality that confronts narratives on African women that strip away their agency.