Project Detail

4 Waters - Deep Implicancy

Synopsis

As much a film project and an experiment in collaboration as it is a set of fragments drawn from a reimagined cosmos. These fragments, sounds, and stories help us convey the experiential moment of entanglement, or rather, they describe an entangled moment prior to separation, what we call “Deep Implicancy”.
One such story we follow is water, both as it phases transitions with and into other matter including life, but also as it combines disparate geographies, bodies of/in water, and four islands within them – Lesvos, Haiti, Marshall Islands, Tiwi.
Through a series of experimental migrations and elemental crossings we begin to question the form of the universal human, its calcified and exceptional origins, and in particular its ethical program. Wandering and wondering through a transformative figuring of justice, we ask, what if our image of the world recalled phase instead of measure? And what becomes of ethics if we let go of value? (Arjuna Neuman, Denise Ferreira da Silva)
Official Selection Berlinale 2019 - Forum Expanded Exhibition - Group Exhibition at Betonhalle - World premiere

Details

Year
2019
Type of project
Shorts
Running time
31 mins (Single-channel Video Installation)
Format
Single-channel video installation
Director
Denise Ferreira da Silva, Arjuna Neuman
Producer
Denise Ferreira da Silva, Arjuna Neuman
Editor
Denise Ferreira da Silva, Arjuna Neuman
Director of Photography
Denise Ferreira da Silva, Arjuna Neuman

Production Status

Production Company

Produced with the support of Arts Council England (UK), Hannah Barry Gallery (UK), and the University of British Columbia Social Justice Institute (GRSJ) (CA) and the Critical and Creative Social Justice Studies Research Excellence Cluster (CA)

Denise Ferreira da Silva

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

A VR image. A cherry blossom tree in summer, where blossoms are gently falling in the breeze The Last Tree

Director: James Hosken, Katie Eggleston, Lauren Fitzpatrick, Mimi Harmer

Year: 2025

An interactive stationary VR experience that invites quiet reflection on nature, slowness, and change. It offers a moment to sit, observe, and influence the atmosphere in a peaceful, dreamlike virtual world. The experience places the audience on a hilltop, looking across at a lone tree gently swaying in the breeze on another hill. The audience can move their hands gently to influence the wind. The seasons cycle over the course of ten minutes, the visual and audio aesthetics shifting with the changes. The piece emerged from thinking about how nature changes quietly around us, often unnoticed. We invite the audience to consider how small gestures and moments connect us to the world’s larger cycles, and how ephemeral and fragile those cycles are.

The Recce The Recce

Director: Daniel Mann

Year: 2026

Drawing on a location test filmed in Uganda and an email exchange with the scout, this short film captures cinema’s ties to land and its entanglement with colonial imaginaries, binding the fiction of filmmaking with state-building. Official Selection Berlin International Film Festival 2026 - Forum Expanded - World premiere

A small girl holds the hand of a man in a dark coat, carrying a suitcase. They walk towards a man in a grey suit standing by a wooden desk in a dimly lit, formal reception room. Inside: The Childhood of an Artist

Director: Sacha Wares

Year: 2025

An evocative virtual reality experience from director Sacha Wares with music by Dan Jones and Evelyn Glennie. For the first seven years of her childhood, American artist Judith Scott shared a bed with the twin sister who adored her. One night, everything changed. This beautiful multi-sensory biography transports you to a sun-kissed 1950’s family home in Ohio, placing you at the heart of Judith Scott’s devastating story of love and separation.