Wounded

Director: Joseph Baker, Tom Large

Year: 2010

Dave is about to jump in front of a speeding train, but why? Could it have something to do with a 20 year-old junkie called Megan who has just discovered she is pregnant and made a dramatic decision to turn her life around? Perhaps it could be connected to Jack, whose seemingly perfect life and relationship have started to crumble around him or maybe it has something to do with teenage runaway Stacey who has disappeared in search of someone she’s never met. Gareth is desperately searching for his missing daughter, but no one seems to have any clue where she is, until one day, a mysterious phone call from an eleven year old boy seems to provide the answer. As Gareth takes the last few steps to find his daughter, the answers are revealed and worlds collide with devastating effect.

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.