Tyrannosaur

Director: Paddy Considine

Year: 2017

Matty Burton is a middleweight boxing world champion, now coming towards the end of his career, who knows that he must make his money and get out of the game. His aim is to secure a home with his wife Emma, and a future for their baby daughter Mia. His opponent is the brash and controversial Andre Bryte. A big puncher who courts controversy with his outlandish statements. Andre’s intent is to rip the title from Matty, a task that Andre feels is going to be easy. After a titanic battle, Matty returns home to Emma, but moments later collapses on the living room floor from a delayed reaction to a devastating punch. When Matty awakes from the coma, the real fight begins. Suffering from memory loss and with his personality altered, Matty must begin to piece his life back together as his world disintegrates. A powerful and beautiful story about loss and, ultimately, triumph. About identity, and how in life you sometimes have to dig deep into your soul to discover who you really are. Official Selection BFI London Film Festival 2017 - Love Strand - World premiere

Director: Sandeep Kumar Paul

Year: 2026

Science teacher Swarna and her partner Driti move to a suburban town for a fresh start. When a student leaks intimate photos of Swarna online, school authorities turn her private life into a disciplinary issue. Official Selection Busan International Film Festival 2026 - World premiere

Director: Yv Shells

Year: 2026

When Arlo arrives to find Marcus has cooked someone else’s favourite meal, a single question begins to unravel an evening that refuses to stay in the present. Through a fractured timeline set entirely within one dining room, we move between Marcus and Arlo and the relationship that came before, with Una, the woman he met at a late-night bus stop and once talked about marrying. The same table, the same chairs, the same arguments about trust, honesty and what it means to truly see someone. As the timelines bleed together, it becomes clear that Marcus has never fully left the past, and that Una’s ghost sits at every table he sets. When Arlo asks what her own favourite meal is and he cannot answer, the film’s quiet devastation lands completely. CLOCKS is a portrait of a man who loves generously but sees poorly, and the women who carry the cost. It asks what we owe the person in front of us while we are still in love with someone we lost, and whether a feeling ever truly ends.