80,000 Christmas Lights
Synopsis
Details
- Year
- 2012
- Type of project
- Shorts
- Running time
- 6 mins 05 secs
- Format
- HD
- Director
-
Andy Taylor Smith
- Producer
- Andy Taylor Smith & Russell Noon
- Co-Producer
- N/A
- Executive Producer
- Film London
- Editor
- Andy Taylor Smith
- Screenwriter
- Andy Taylor Smith
- Director of Photography
- Andy Taylor Smith
- Production Designer
- Hannah Budd
- Sound
- Gernot Fuhrmann
- Composer
- N/A
- Principal cast
- Voice of Amy Webb: Alex Wilson, Voice of Jo Webb: Bradley Badder
- For Film London
- Josic Cadoret, Kevin Dolan, Maggie Ellis
- With the support of
- Film London, BFI, The National Lottery and Skillset.
Genre
Production Status
Production Company
Sales Company
Page updates
This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
This Chair Is Not Me
Director: Andy Taylor Smith
Year: 2011
While cerebral palsy confines Alan Martin to a wheelchair and inhibits his speech, he refuses to limit himself. When he gains access to technology that enables him to find a voice, his life is transformed.
If Himmler Played Guitar
Director: Andy Taylor Smith
Year: 2011
As his fascination with re-enacting grew, Jon discovered his uncanny resemblance to one of history’s most nefarious characters.Apparently it’s to do with the shape of the jaw.
Loss.y
Director: Lisa Jamhoury
Year: 2026
Situated at the physical-virtual threshold, loss·y memorializes corporeal passing and digital rebirth. The work intertwines animated sculptural “dances” with interactive spatial audio, inviting audiences to navigate invisible thresholds as they move. loss·y presents three split-seconds of a motion-captured female-female pas de deux: each moment is suspended in a vignette that overlaps projection and 3D prints encapsulating the dance in sculpture, with spoken-word poetry and spatial sound design. The installation’s audioscapes blend cold technical facts, accounts of digital dysmorphia and surveillance, and computer-generated sampling, creating an elegy to the vital body that is at once human and digital. On its surface a critique of today’s techno-society, loss·y collusively takes up digital reduction and surveillance as creative media, revealing reverence for the uncanny wonder that pulls us forward into our new, hybridized world. Official Selection SXSW 2026