A Complete History of my Sexual Failures

Director: Chris Waitt

Year: 2018

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman’s advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilties of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess. This comic fable about the creative process is a hymn to European filmaking - an 'Eight & a Half' meets 'Play It Again, Sam' for modern times.

Director: Chris Waitt

Year: 2007

Adam buys a cloning machine on eBay, then clones himself. He hopes his clones will tidy his place up but he soon discovers that they are just as lazy-arsed as he is. Chris Waitt directs himself in the BAFTA winning slacker comedy.

Director: Rabie Mustapha

Year: 2026

In this participatory documentary, filmmaker Rabie Mustapha works with a group of children living in Northern Ireland to tell stories about their family life and cultural backgrounds. Despite the children’s globalised nature, they manage to bring in an insight to specific cultural journeys from Al-Nuba, Halab and the Northern Irish countryside. We see Maya, an inquisitive 9 year old girl whose hobby is to deliver shocking facts within a deadpan and to ask deep philosophical questions. Through an interview with her mom we learn about her Nubian heritage and a long history of generations displacement. Mahmoud and Khalid on the other hand are more calm and observant. Through their filmmaking journey we learn about their Syrian and Turkman heritage. With Mila we see the countryside of Limavady and learn about a more relaxed way of living where children are more connected to nature and where the girl’s artistic abilities are developing. Through this pluralistic film Northern Ireland is portrayed as a changing place with more than one face.