A Complete History of my Sexual Failures

Director: Chris Waitt

Year: 2018

Preston is an indecisive film school lecturer who dreams of being a great film director like the European directors whose work he teaches - Bergman, Fellini, Truffaut, Antonioni, Godard and Buñuel. One day his wife leaves him, telling him that she believes he will never be anything more than a teacher. Depressed, Preston is visited by the ghost of Ingmar Bergman who tells him to use his misery as the material for a great film just as he did in his 'Scenes from a Marriage'. Taking Bergman’s advice, Preston decides to make a film, in an attempt to prove his wife wrong and in the hope of winning her back. Using the facilties of the school and the students as his crew, Preston shoots his film but soon finds that he is visited by the ghosts of series of famous, dead European directors who offer him advice on how to improve his film. Following their wise but disparate counsel his film goes wildly out of control and becomes a huge, sprawling, incoherent mess. This comic fable about the creative process is a hymn to European filmaking - an 'Eight & a Half' meets 'Play It Again, Sam' for modern times.

Director: Chris Waitt

Year: 2007

Adam buys a cloning machine on eBay, then clones himself. He hopes his clones will tidy his place up but he soon discovers that they are just as lazy-arsed as he is. Chris Waitt directs himself in the BAFTA winning slacker comedy.

Director: Virginia Heath

Year: 2027

A feminist musical documentary, an ethical telling of a true-crime story. An anti-true-crime documentary, the film is a bold, cinematic portrayal of a unique Irish singer-song writer Keeley Moss. Every song Keeley writes and performs celebrates the life of, and demands justice for, Inga Maria Hauser, a young German backpacker, sexually assaulted and murdered in Northern Ireland in 1988. As the facts of Inga Maria's case migrate from Keeley's meticulous blog into her songs, the Director ‘investigates the investigator’ to capture Keeley's fever dream of the intense week of adolescent freedom Inga Maria enjoyed, before she became a 'murder victim'. Through the prism of the Director's feminist gaze, and the actress-cast-as-Inga, Keeley and Inga Maria's personas blur, a rejection of the murder porn audiences are so fatigued by. Through the empathy the Director clearly feels for Keeley’s difficult adolescence and her subsequent obsessive mission, we feel the devastating impact Inga Maria's violent death had on two generations of her family and their anguish at the continuing lack of justice. Perhaps most remarkable of all, we discover the unexpected and profound gifts that Inga Maria has rewarded Keeley's dedication with.