A Film By Abigail

Director: Paul Vernon

Year: 2009

In 1984, Simon Kelly met someone. Quite an interesting someone. Over the years, the one thing he remembered about her was this. She said she'd be dead before she was 25. So, over 20 years later when he sees her on a train, he can't understand why she doesn't recognise him. The odd thing is, she doesn't look any older. Phil Harrison agrees that it's more than a little strange. When they find out she committed suicide in 1986, the situation becomes even more difficult to explain. Until they notice the sell by date, and realize what's happened. They set out to find out more, and as they do, a plan is formed. Will it work, and how will they know if it has, or not ? Some people have said the 1980s never went away. Simon Kelly just found out they were right.

Director: Alex Darby, George Leith, Sophie Mei Birkin

Year: 2026

Adlais (Echo) weaves Welsh language folklore and histories through their shared subjects of poetry and drowning – and asks whether we’re listening to the past as it surfaces today.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.