A Monster with its Mouth Agape

Director: Steven McInerney

Year: 2017

A 27-minute meditation on the ever-expanding fractal universe with recurring themes of transformation and altered perception, switching scale from microscopic topography to the vast distances of the cosmos. Official Selection International Film Festival Rotterdam 2018 - International premiere Official Selection Aguilar de Campoo International Short Film Festival 2018 - Winner, Jury Award

Director: Polina Chizhova, James Stephen Wright

Year: 2018

The work “A Skulk in London” explores the human projections onto animal life from a satirical perspective. Its aim is research the life of urban foxes amid the Anthropocene environment of central London and the mythologies surrounding them to highlight the human tendency of understanding and perpetually interpreting the natural world limited by the point of view of “man”. The main character is a city man who becomes fascinated with finding nature in the city and is following urban foxes to fulfil his dream of wilderness. The character lives in a world of fantasy and does not consider the perspective and agency of urban wildlife. His obsession is so blinding and absorbing that he doesn’t realise that the fox he finds is, in fact, a dog in a costume.

Director: James Stephen Wright, George Finlay Ramsay

Year: 2020

Following the threefold journey of a rock through distinct layers of reality. June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? June’s the best month, June’s the brightest month isn’t it? With narration from the rock in its mother tongue (usefully subtitled), it plays in the parallel mirror-image universe as hypothesised by a prophetic laminitic Shetland Pony based in Perthshire. Like a stoney Virgil, the rock guides us through its attempts to do only the realest of things.