Africa

Director: Paul Matthews

Year: 2000

In this story of magic and adventure, tomboy, Polly Regan (Brittney Bomann) is an orphan and her grandfather (David Warner) has made a home for her on his farm. Her life is happy, though, unconventional, but Polly is heartbroken when she learns that her favourite mare may also die giving birth. Polly wishes with all her heart for the King of Horses, to intervene and save her mare and the foal, but her wishes seem to go unanswered and the mare dies.<br /> <br /> <br /> <br /> <br /> <br /> Polly is devastated until she sees the foal. The little creature is a real, honest-to-goodness baby unicorn, a magical creature created by state-of-the-art animation effects. It totters its way into Pole's hart and into the affections of her grandfather.<br /> <br /> <br /> <br /> <br /> <br /> Pole's Aunt Lucy (Emma Samms) doesn't know what to think, either about the unicorn or about her niece's upbringing on the farm. She is certainly not prepared for the uproar that arises when a photograph of the unicorn appears in the local newspapers. The farm is inundated with sightseers.<br /> <br /> <br /> <br /> <br /> <br /> Her policman fiancé (Christopher Atkins) has trouble keeping the sightseers in check and not everyone is a well wisher.<br /> <br /> <br /> <br /> <br /> <br /> When Polly is sent away to school by her Aunt, there is no one to protect the unicorn from those who mean harm.<br /> <br /> <br /> <br /> <br /> <br /> George Hamilton is one such person. He plays The Great Allanso, a magician whose life has run out of magic. His tricks are old and his jokes are jaded. Allanso believes that if he can steal the unicorn's horn, he can steal the unicorn's magic. Aided and abetted by his ever patient, ever suffering assistant, Maisie (Julie Hartson), Allanso is determined to get his hands on the foal . . .

Director: Paul Matthews

Year: 2000

A young boy is torn from his American roots and comes to live in a strange world where modern science is being used to free ancient foes, renewing a titanic struggle for dominion over the earth.<br /> <br /> <br /> <br /> <br /> <br /> In ancient times the vast army of the evil sorcerer Mordred (Craig Sheffer) brought the legendary King Arthur Pendragon (Patrick Bergin) and his knights of the Round Table to their knees. In desperation, Merlin, the Wizard (Rik Mayall) used the immense power of Stonehenge to banish Mordred to the Netherworld and consigned Arthur and his knights to a long, dark sleep, promising future generations that Arthur would be on-hand to save the world should Mordred ever escape to threaten it again.<br /> <br /> <br /> <br /> <br /> <br /> Fifteen hundred years later, Merlin's spell is the subject of legend - and is weakening. Scientist Joan Maxwell (Tia Carrere) is experimenting with the magnetic flows of the Earth, the precise source of Merlin's magic. She has made contact with Mordred and in return for his promise of power and freedom from the ethics that constrain modern science, is using her knowledge to free the sorcerer from his prison.<br /> <br /> <br /> <br /> <br /> <br /> American teenager, Ritchie Gould is plunged into the ages-old battle when his father dies and Ritchie's mother moves them to her former home in England. When Ritchie arrives, Merlin's spell is already all but destroyed by Maxwell's meddling. Arthur and his knights are aware, fifteen hundred years out of place, and Mordred is preparing to forge a dimensional gate to freedom. The only thing standing between Mordred and success are the ragged loyalties of Lancelot (Adrian Paul) and Guinevere whom Merlin banished along with him.<br /> <br /> <br /> <br /> <br /> <br /> In a tale of myth, mythology, demons and duels spanning fifteen centuries, the forces of good and evil once more do battle. And at stake is the world as we know it.

Director: Philip James McGoldrick

Year: 2025

An emotionally charged sports drama following Grazyna "The Tramp" Jarzynowska, a British-Polish MMA fighter whose meteoric rise is abruptly halted by an unexpected pregnancy.