Aisha

Director: Frank Berry

Year: 2026

Based on The New York Times article ‘The Lost Children of Tuam’ by Dan Barry, published in 2017. Focusing on history enthusiast Catherine Corless, who whilst researching the Bon Secours Mother and Baby Home in Tuam, County Galway, for a local historical society, uncovered a devastating possibility that as many as 796 children had been buried in unmarked graves on the property. The discovery rallied a campaign for justice for both victims and survivors of the home. Excavation of the mass grave began in the summer of 2025.

Director: Frank Berry

Year: 2022

A remote family farm is caught in the grip of climate change. Unprecedented storms, famine and disease threaten the home, livelihood and relationship of the father and son who remain there.

Director: Robyn Egan

Year: 2026

Wren is interviewed for a job at Brixham Fish Market. Gary shows her around and tells her to come back tomorrow, for the night shift. A few hours into the shift and Wren is flagging, she enjoys a moment of calm whilst smoking outside - until she is confronted with Cali, who wants a lighter and a chat. The next few nights, sleepless days and awkward interactions blur into each other until Cali greets Wren with a coffee and cigarette for the usual 2am slump. Wren is disgusted when realising Cali has spiked her coffee with brandy. Steph shows Wren how to fillet. Cali rushes to help, standing behind Wren, he places his hands on hers.Wren shrinks down, motionless, allowing Cali to puppeteer her, forcing his groin into her from behind. Wren empties her locker, she’s not coming back. She leaves, only to find Cali waiting for her, unbuckling his belt. Wren waits until his trousers are down, walks over to him, without breaking eye contact and guts Cali like a fish. She makes use of the “Monster Industrial Chum Grinder”, to dismember Cali’s body, discarding the chum into the sea at sunrise. She gracefully enters the sea herself, cleansed.