Project Detail

American Cousins

Synopsis

Two American Mafiosi, Gino and Settimo, take refuge in the Glasgow café owned by their Scots/Italian cousin. But cousin Roberto isn't the tough guy they'd expected. His strengths are fish frying and stamp collecting, and he thinks Magnum 45s are a type of ice cream.

Gino and Settimo try to repay Roberto's hospitality by chasing off a debt collector who wants his property, but their strong-arm tactics alarm him, and he realises they aren't the PR consultants they claimed to be.

Adding to the tension is a growing rivalry between Roberto and Gino over Alice, a girl Roberto has secretly loved for years. Matters come to a head when Roberto finds a suitcase full of plants, which he assumes to be drugs. He's disgusted with his cousins, until Settimo reveals that the cuttings are from a new species of vine, which can grow anywhere and is set to revolutionise the wine industry.

Meanwhile, Roberto has finally worked up the courage to tell Alice how he feels. But before he can act his world starts to fall apart. Firstly he finds her in a passionate embrace with Gino, then his beloved Grandfather dies, and finally the Ukrainian gangsters track down the Americans and lay siege to the shop. The situation seems hopeless until Roberto comes up with a place of safety then sets fire to the shop. Within minutes the emergency services have arrived and the Ukrainians have made a hasty retreat.

The next day, as smoke rises from the ruins of his precious café, Roberto tells Alice he loves her. She says she loves him too, and that the kiss with Gino had been a drunken mistake. But their happiness is short lived. The debt-collector who the Americans have chased off returns mob-handed, and he's out for revenge.

Roberto stands up to him and is bundled into a car, but just at that moment a fleet of taxis pulls up. They contain the cream of Gino and Settimo's New Jersey family, who have decamped to Scotland to avoid being wiped out in a gangland war. The sight of 30 steely-eyed Mafiosi soon convinces the debt collector to make himself scarce.

Five years later the ruins of Roberto's café have been transformed into a magnificent new restaurant. Next door the Americans have built an impressive warehouse from which they run the Caledonian Chianti Company. And the wasteland in front of the shop has become a beautiful vineyard, with rows of plants as far as the eye can see.

Details

Year
2003
Type of project
Features
Running time
97 mins
Format
35mm, Fuji
Director
Donald Coutts 1st Feature
Producer
Robert Bevan, Keith Hayley, Charlie Savill, Amanda Coombes, Amit Barooah
Editor
Lindy Cameron
Screenwriter
Sergio Casci
Director of Photography
Jerry Kelly
Sound
Martin Belshaw
Composer
Donald Shaw
Principal cast
Danny Nucci, Shirley Henderson, Gerald Lepkowski, Vincent Pastore, Dan Hedaya

Categories

Production Status

Production Company

Bard Entertainments

7 Denmark Street
London WC2H 8LZ
UK

T +44 (0)20 7240 7144

office@bardentertainments.co.uk

Sales Company

Icon Entertainment International

Charlotte Building
17 Gresse Street
London
W1T 1QL
UK

T +44 (0)20 7927 6900

www.iconmovies.net

Page updates

This page was last updated on 12th May 2025. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

No Women No Children No Women No Children

Director: Akporé Uzoh

Year: 2026

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.

As Time Swallows Time As Time Swallows Time

Director: Rosario Hurtado, Roberto Feo, Stuart Bannocks

Year: 2025

AS TIME SWALLOWS TIME weaves fragmented narratives into a poetic dialogue between two entwined inquiries. The first engages with the curatorial focus of BIO28 (Ljubljana Design Biennale), which interrogates the historical symbolism linking women to flowers - figures of fragility, sensuality, and objectification - and the ways these associations have been reclaimed and subverted. The second unfolds as a speculative exploration of time and temporal perception as forces shaping human consciousness and evolution. Together, these threads compose a meditation on transformation, perception, and the cyclical nature of existence. Constructed through the juxtaposition of narrative fragments, the film layers scenes in a manner that invites viewers to navigate and reassemble its temporal and conceptual terrain. The film presents a dialogue between the Ljubljana Biennale’s curatorial theme, “Do You Speak Flower?” which explores the historical contexts in which women have been symbolically linked to flowers—figures of fragility, sensuality, and objectification—and how those associations have been reclaimed and subverted, and this theme directly, and the authors speculative exploration of time, temporal perception and post humanity.

Ten to Six Ten to Six

Director: Alessio Rupalti

Year: 2025

A retired physicist, tormented by decades of guilt for not having saved his wife from breast cancer, believes he has finally found a chance at redemption. Thirty-five years after her death, he visits a small café on the outskirts of London, where a young waiter he is about to meet, seemingly by chance, turns out not to be a stranger at all.