American Epic

Director: Bernard MacMahon

Year: 2021

Tracing the journey of the four members of Led Zeppelin, the 'Stairway To Heaven' rockers, through the music scene of the 1960s to their meeting in the summer of 1968. Culminating in 1970 when Led Zeppelin II's 'Whole Lotta Love' knocked The Beatles off the top of the charts and launched what would become the biggest band in the world. Featuring new interviews with Jimmy Page, Robert Plant, and John Paul Jones, as well as rare archival interviews with the late drummer John Bonham, and previously unseen archive imagery, state of the art audio transfers of the band’s music, and music that influenced the band’s sound. Official Selection Venice Film Festival 2021 - Out of Competition - World premiere

Director: Bernard MacMahon

Year: 2015

This film is a haunting collision of past and present, presided over by the high priests of the great tradition of American music, Jack White and T Bone Burnett, who also executive produced with Robert Redford. Long before digital file sharing, MP3, compact discs, tape and vinyl, a machine was forged from ingenuity. The Western Electric lathe, a marvel of analogue engineering operated by a weight and pulleys, pioneered the recording of American music. In an old Hollywood studio, one has been lovingly reassembled. In it, White gathers an extraordinary convocation of musical superstars, all keen to cut a record in the unforgiving three minutes the Western Electric provides. Featuring live performances from Elton John, Nas, Willie Nelson, Alabama Shakes, Steve Martin, Ana Gabriel, Merle Haggard, Taj Mahal and many more. (LFF brochure) BFI London Film Festival 2015 - World premiere

Director: Purva Tavri

Year: 2026

Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.