Anazapta

Director: Alberto Sciamma

Year: 2003

'Me? Take it easy now, calm down. It couldn't be me, it couldn't be me! I mean if you don't know yourself who do you know? But the blood - It seemed crazy but how else could I be sure? So I set the camera up, tied myself to the bed and lay there, waiting - Guess I must have nodded off somehow, 'cos the next thing I know it's morning and I'm there just where I left myself. No problem, I'm telling myself, no problem - Then I played the tape. I just couldn't take it in. Me, a fuzzy black and white image in pyjamas, getting out of bed, leaving the room.' Leonard Grey, superintendent of Jericho Mansions. His world may be small but he cares for every inch of it. The fading wallpaper in the entrance hall, the ageing carpet on the stairs, the clank of the elevator and above all, the faint but continuous refrain of lives being lived around him - For the last thirty years the building has been his universe. Beyond the front door of the apartment block lies a terrifying agoraphobic nightmare into which, for as long as he can remember, he has never dared to venture. But Leonard's sanctuary is beginning to crumble; forces are conspiring to kick him out. Constant accusations by Lily Melnik, the landlady, of stealing worthless items from her apartment, stirrings of discontent among the residents, infidelities and finally a murder. Bill Cherry, one of the building's inhabitants is found dead, his body thrown down the garbage chute. Though the cops believe they have their killer and motive - a jealous tenant taking revenge on his wife's lover - Leonard begins to discover clues that point to a different kind of killer. Himself.

Director: Ben O'Connor

Year: 2026

Robbie exists on the margins of society. He lives alone on a narrow boat in rural England with little means. He has found solace in isolation and a humble life. Unexpectedly he is contacted with the unwanted news of his estranged father’s death. This drags up emotions from the past that quickly become too much to bear… And so, the story begins… A journey back into his past. A journey on a motorcycle to find his mother. He drives, alone, through desolate landscapes, barren and mountainous, into the depths of his mind. A dream world where Robbie is forced to confront his past. Two stories emerge; memories from his childhood recurrently appear, fracturing the present where ex-lovers who have shaped his life confront him in surreal encounters. With time the two stories collide, past and present become one. The road leads in one direction, back to his childhood home and ultimately, his first and now final love; his mother. For where he began, he will now end and know himself for the first time.

Director: Simon Brooke

Year: 2025

Boyfriends Connor, Silas, and Connor’s dad Rob arrive home. Connor and Silas show affection. Rob drops his yellow work bucket in the kitchen. Little brother Max sits up for dinner while mum, Jan, plans for his sixth birthday. They watch the evening news announcing a scientific discovery; if a boy sees yellow while hearing a woman sing on his sixth birthday, he will grow up gay. The notion of this quotidian trigger creates a tense silence. Connor, anxious, realises his parents can choose whether Max grows up gay. The next day, Max chooses colours for his party, ignoring yellow. Connor sees the yellow bucket in the kitchen has been replaced with a blue one. That night, Connor wakes Max to ask if anyone told him what colours to pick. Max insists he chose his favourites. Before the party, Jan fears she is losing her voice. Rob takes Connor to the pub and reassures him the yellow bucket broke, and that he and Jan are proud Connor is gay. At the party, Connor withdraws to his room. Jan follows and finds he has hidden every yellow object in the house. Upset, they gently return to the celebration leaving the objects.