Andrew and Jeremy Get Married

Director: Don Boyd

Year: 2003

Sandeman (Richard Harris) is the biggest and most feared crime lord in the economically depressed and ravaged city of Liverpool. But an unexpected event is about to cause his kingdom to crumble. For when his beloved wife Mandy (Lynn Redgrave) is shot dead in a mugging incident, Sandeman is convinced it was really premeditated murder.<br /> <br /> Consumed by grief and determined to learn the truth behind his wife's shocking death, Sandeman's rage only agitates other long festering rivalries and bitter resentments. And most of those emanate from inside his close-knit family.<br /> <br /> Broken and at a loss without Mandy, Sandeman decides his time is up and hands over all the money from his illegal empire to his three daughters. However, ex-drug addict Jo (Emma Catherwood), the youngest and Sandeman's favourite, has already turned her back on the family business and doesn't want anything to do with the dirty money. Brothel owner Kath (Louise Lombard) is the eldest daughter and she wants more than her fair share. Together with corrupt Detective Sergeant Puttnam (Aidan Gillen) she puts a revenge plan in motion that has a devastating impact on the entire family. Football club owner Tracy (Lorraine Pilkington) knows her father is expecting a mystery shipment from Amsterdam and intends to become a major player in the huge deal at whatever the cost.<br /> <br /> And that cost is going to be great for everyone. From Kath's husband Dean (Paul McGann) and her young son Boy (Reece Noi) to Tracey's sadistic spouse Jug (Jimi Mistry) and investigating Customs and Excise officer Quick (Tom Bell)- no one will remain untouched by the jealous, dangerous and lethal enmity erupting between the Sandeman sisters.

Director: Don Boyd

Year: 1998

Lucia is a film set in 1998 which uses the essential elements of Walter Scott's plot to present a drama about a beautiful young woman who indulges her love for a handsome singer despite her brother's cynical plans to marry her off to an alcoholic American tenor whose rich parents have promised to provide the money to save Hamish's magnificent but crumbling Scottish stately home (called Lammermoor!).<br /> <br /> <br /> <br /> <br /> <br /> Don Boyd, the film's writer and director, has interwoven into this contemporary tale two elements which allow him to draw on Donizetti's music and the historical context of the story. Kate Ashton is a very talented soprano and Hamish decides to present 'Lucia di Lammermoor' in celebration of his sister's wedding to Oliver. As the protagonists in the film rehearse and present the music, the principal contemporary characters (Kate and Sam) reinforce their passion for each other through the fantasies and dreams they experience as a natural extension of their work as performers. These are manifested dramatically in the historical imagery of Scott's novel. While the movie progresses, the audience is invited to shift seamlessly between reality and fantasy, real characters and performers, contemporary and historical situations. So much so that the distinctions become irrelevant. The audience is quite literally seduced into absorbing a contemporary drama which is outrageously laced with twentieth-century dance/house music, eighteenth-century situations, nineteenth-century Romantic classical music and witty modern cinematic imagery. In that sense, Lucia is like no other movie made before.

Director: Akporé Uzoh

Year: 2025

The aftermath of a sexual assault (rape). Exploring the deep-felt consequences for all involved. At its heart an epic story of a couple's fight for the survival of their love.