Project Detail

Anemone

Anemone

Synopsis

In Northern England estranged brothers reunite in a remote cabin. Forced to confront their painful upbringing, they try to process their separate journeys as a result of generational and lived trauma.
Official Selection New York Film Festival 2025 - World premiere
Official Selection BFI London Film Festival 2025 - European premiere

Details

Year
2025
Type of project
Features
Running time
126 min
Director
Ronan Day-Lewis 1st Feature
Producer
Dede Gardner, Jeremy Kleiner
Co-Producer
Jeremy Campbell
Executive Producer
Daniel Day-Lewis, Brad Pitt
Editor
Nathan Nugent
Screenwriter
Daniel Day-Lewis, Ronan Day-Lewis
Director of Photography
Ben Fordesman
Production Designer
Chris Oddy
Composer
Bobby Krlic
Principal cast
Daniel Day-Lewis, Sean Bean, Samuel Bottomley, Samantha Morton

Genre

Categories

Production Status

Production Company

UK, US co-production

A Focus Features (US), Granada Film Productions (UK), Plan B Entertainment (US) production in association with Absinthe Film Entertainment (UK)

Sales Company

Universal Pictures International (UPI)

Page updates

This page was last updated on 7th April 2026. Please let us know if we need to make any amendments or request edit access by clicking below.

See also

You may also be interested in other relevant projects in the database.

The image shows two people, a man sat down at a table and a woman leaning on the table looking straight at him. Arthur & Clara

Director: Kieran Bourne

Year: 2026

Arthur, a Black filmmaker struggling with his sense of identity and external expectations, retreats to a remote farmhouse with seven days left to finish his script. His solitude is quickly interrupted by Clara, a high-profile actress on the run from her press tour, seeking an escape from a life defined by words on a page. Searching for distance from the pressures that have led them here, Arthur and Clara initially resist one another. But as their fragile egos attempt to connect, their shared vulnerability leads them on an accidental journey of self-discovery, revealing what it truly means to be seen. Set against the quiet isolation of the British countryside, Arthur & Clara is an intimate exploration of identity and genuine connection. This is not a story about two people finding each other, but about two people finding themselves. Official Selection, Austin Film Festival 2026 - WORLD PREMIERE

A man, a woman and a police officer looking downwards Sabotør

Director: Adam Lavis

Year: 2027

Thomas and Anje have been struggling to conceive, but neither knows how to talk about what they’re going through. Anje pours herself into her family and caring for her demanding mother, while Thomas retreats into work and the purchase of their dream home. To Thomas, the house represents a chance for them to build a life away from Anje’s overbearing family, particularly her brother Hemming, a man seemingly incapable of tact, grace or decorum. But just as they are preparing to complete on the house, Thomas unexpectedly loses his job. With only fourteen days to find new employment before the bank withdraws their mortgage, he keeps the news from Anje, convinced he can solve the problem himself. When Hemming discovers Thomas’s secret, he immediately takes it upon himself to help. His increasingly bizarre solutions draw in dubious acquaintances, eccentric family members and, eventually, the attention of the law. What begins as a quiet domestic crisis gradually descends into farce, as Thomas’s determination to solve everything alone threatens to sabotage the family and future he has been trying so desperately to protect.

Jay thinks of Pete while riding the bus. Ramble

Director: Alice Panerai

Year: 2026

When drum & bass fan Jay is sent on a countryside walk by his probation officer as part of his mental health rehabilitation programme, he arms himself with headphones, good tunes and fluorescent snacks. But his iPod dies, and he can’t handle the silence. Visions of Pete, his deceased friend, begin to haunt him. Lost in the countryside, Jay eventually finds himself on a bus with a friendly driver, where a conversation about Pete forces him to confront the grief he has been avoiding.