Antiheroine
Synopsis
Official Selection Sundance Film Festival 2026 - World premiere
Details
- Year
- 2026
- Type of project
- Features
- Running time
- 98 min
- Director
-
James Hall, Edward Lovelace
- Producer
- Melanie Archer, Jon Lullo, Julia Nottingham, Hattie Bridges Webb
- Executive Producer
- Jonathan Daniel, Chris Fry, Elisabeth Murdoch
- Editor
- Jinx Godfrey, Daniel Lapira, Dan Setford
- Director of Photography
- Magda Kowalczyk
- Composer
- Nikky French
- Archive Producer
- Tess McNally-Watson
Categories
Production Status
Production Company
US, UK co-production
Dorothy Street Pictures
109 Colwith RoadLondon
W6 9EZ
Page updates
This page was last updated on 27th October 2026. Please let us know if we need to make any amendments or request edit access by clicking below.
See also
You may also be interested in other relevant projects in the database.
Pretenders
Director: Joss Crowley
Year: 2026
Based on in-depth interviews with lead-singer Chrissie Hynde and archival sources, PRETENDERS traces the journey of a truly unique rock icon. Official Selection Toronto International Film Festival 2026 - World premiere Official Selection DOC NYC 2026
Stage
Director: Brett Morgen
Year: 2027
An arena-scale cinematic experience built out of long-lost, remastered 35mm footage originally shot by British director David Hemmings. The film features previously unseen concert footage of David Bowie from his 1978 Isolar II World Tour, in support of his landmark 'Heroes' album. Using a three-screen presentation, transparent LED screens and large-scale projections, it is described as an “immersive and sound light experience”. Official Selection Berlin International Film Festival 2027 - World premiere
India's Circularity: Not a Trend, But Tradition from Margins
Director: Purva Tavri
Year: 2026
Across India’s overlooked margins, India’s Circularity – Not a Trend, But a Tradition from the Margins reveals how reuse, repair, and regeneration are not innovations - but inherited ways of life rooted in culture, necessity, and care. Featuring voices across sectors - artists, makers, NGO leaders, entrepreneurs, government officials, planners, engineers, institutions, and homemakers - the film journeys through terracotta clusters in Rajasthan, bamboo-timber homes in Sikkim, palm-leaf artisans in Kerala, and community commons in Chhattisgarh. One story is deeply personal: the director’s mother, whose regenerative practices shaped the director’s own circular worldview long before her professional work in sustainability. With poetic narration, immersive visuals, and grounded research, the film reframes circularity as a lived tradition, not a future policy aspiration.