Apollo 1

Director: Mark Craig

Year: 2014

When Apollo astronaut Gene Cernan stepped off the moon in December 1972 he left his footprints and his daughter’s initials in the lunar dust. Only now, over forty years later, is he ready to share his epic but deeply personal story of fulfillment, love and loss. Cernan’s burning ambition carried him from a quiet Chicago suburb to the spectacular and hazardous environment of space, and ultimately, to the moon. But there was a heavy price to be paid along the way. As Cernan's wife Barbara famously remarked, "If you think going to the moon is hard, try staying at home." Using a wealth of rare archive, home movies, scrapbooks and intimate moments with his closest friends and family, Cernan brings spine-tingling experiences to the big screen more vividly than any moonwalker has done before.

Director: Mark Forbes

Year: 2021

Erwin Wyrsch is a retired Swiss photo journalist from 1960's to 1990's where he met Peter Fonda, Billy Idol and Arnold Schwarzenegger. Erwin brought the idea of a Motorcycle Benefit event, based on the model of the American love ride, to Switzerland. He believes the art of taking a photo has been lost in the modern world. He spends his senior years restoring his convertible vintage Lotus in his friend's garage in Switzerland.

Director: Luca Anzalone

Year: 2026

Caught between her indigenous Buryat roots—where art is a shamanic window between worlds—and a Western market that treats culture as a commodity, artist Yuma Radne constructs a monumental canvas to confront the psychological distortions of colonization at the edge of an irreversible era. "Either you make art, or you suffer. It’s like a curse." For painter Yuma Radne, the act of creation is not an aesthetic choice, but an ancestral code carried in the blood. Moving from a remote Siberian village to the high-stakes European art world, Yuma finds herself navigating a surreal landscape where sacred cultural identity is rapidly converted into a luxury product. Through intimate studio dialogues and raw philosophical reflections, the film captures the gruelling physical and mental labour behind her graduation masterpiece, The End of Times. Centred around a gargantuan erupting booze (a traditional Buryat dumpling) mutated into an absurd, monumental symbol of a colonised and erased national identity, the film transcends a typical artist portrait. It becomes a vital, cosmic meditation on why humanity continues to create art in the face of systemic collapse—and a powerful testament to an indigenous culture refusing to be reduced to a souvenir.